A Quote by Dumitru Tepeneag

Our Onirisme movement was a synthesis between the Romantic Fantastique and Surrealism. Dimov and I rejected automatic writing. We loved surrealist painters: Chirico, Magritte, Tanguy and especially Brauner (also a Romanian), who never respected the laws that Breton imposed in his manifests.
We could say that Romanian Onirisme was born from painting and not from surrealist literature. The visual is primordial. Dimov said, 'Dreams are not a source, but a canon, a legislative model.'
On the other hand, Surrealism has been a part of Romanian literature since forever. Even before Tzara, who was originally Romanian, we had Urmuz, who was a surrealist before the term even existed. During Breton's era too, there was a very active Romanian Surrealist group (Ghérasim Luca, Gellu Naum, etc.) closely related to the French. They had to quit their activities as soon as the Soviet communists took over.
Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.
Where is automatism in the work of Chirico or Tanguy? Even Dali had to renounce it in order to be able to organize the space of the canvas according to the combined laws of dreams and pictorial aesthetics.
When I was an adolescent, I abandoned my country at 23 years to come to Paris to know Andre Breton, the 'Pope of Surrealism.' And for three years, I was there working with him being a surrealist.
I wore one of my Tanguy earrings and one made by Calder in order to show my impartiality between Surrealist and Abstract Art.
I like Dali and Magritte. I also like the Scottish artist John Byrne, another surrealist.
I like Salvador Dali and Rene Magritte. I also like the Scottish artist John Byrne, another surrealist.
I never knew I was a surrealist till Andre Breton came to Mexico and told me I was.
I got myself into a lovely little shall we say controversy with André Breton, by pointing out that the discipline of spontaneity, which he was asking his surrealist neophytes to adopt, was new for language but something that composers had been practicing for centuries.
Does man's freedom consist in revolting against all laws? We say no, in so far as laws are natural, economic, and social laws, not authoritatively imposed but inherent in things, in relations, in situations, the natural development of which is expressed by those laws. We say YES if they are political and juridical laws, imposed upon men by men.
I define Inner Space as an imaginary realm in which on the one hand the outer world of reality, and on the other the inner world of the mind meet and merge. Now, in the landscapes of the surrealist painters, for example, one sees the regions of Inner Space; and increasingly I believe that we will encounter in film and literature scenes which are neither solely realistic nor fantastic. In a sense, it will be a movement in the interzone between both spheres.
Reason and emotion are not antagonists. What seems like a struggle between two opposing ideas or values, one of which, automatic and unconscious, manifests itself in the form of a feeling.
I do my best writing between 10 p.m. and 5 a.m.. Almost every friend I have who is a consistently productive writer, does their best writing between 10 p.m. and 8 a.m. My quota is two crappy pages per day. I keep it really low so I'm not so intimidated that I never get started. I will do the gathering of interviews and research throughout the day. I'll get all my notes and materials together and then I'll do the synthesis between 10 p.m. to bed, which is usually 4 or 5 a.m.
Surrealism is not a school of poetry but a movement of liberation... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings.
I would love to have been a painter in the tradition of the surrealist painters who I admire so much.
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