A Quote by Duncan Fletcher
I don't think we really measured the enormity of the whole occasion. I'm very, very surprised. We never expected it. When I set out in May we didn't realise how big this was. Only now have we realised the importance of this. [on the 2005 Ashes win
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That result at the French was a big break for me. I had been playing quite well up until that point but nobody really expected me to do well on clay - it was my worst surface. I had had some success on the clay but I was a set and a break up in the semi-final against Jausovec and maybe the enormity of the occasion got to me.
I never set out to write literature; I set out to tell stories. And some of my work may be very raunchy and very bloodthirsty - but life, for me, is a violent thing.
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
Back in 2006-07 when we completed the first Ashes whitewash in 86 years, the historical significance didn't really filter in to our thinking. We didn't realise it at the time - we were just making amends for 2005.
I feel very grateful for the way I was brought up. I did not realise it then, but as I grew older and started writing and realised the material that was there was very strong, I felt very grateful that my life was complicated and that my identity was never clear but put me in a position that was always questioned.
My dream was always to win in the Olympic Games, but I never set that next goal, and I have realised now I need to set another goal.
I can remember that 2005 Ashes as a kid and being really absorbed in that whole series at 14 years old. It was magical.
I worked on 'Line of Duty' with Vicky McClure after she'd just finished the last series of 'This Is EnglandI think the great thing about 'Ashes To Ashes' is that it is very much its own show. and I kept nagging her to find out how it ended.
Over the years I've never written or made movies about political themes 'cause while they do have current critical importance, in the large, large scheme of things, only the big questions matter and the answers to those big questions are very, very depressing.
People tend to be surprised when they realise I'm only 5ft 6in. Now I tell them on my website. I think you have to point out your own deficiencies if you're emphasising everyone else's for a living.
Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.
I think you learn something from everybody that you've worked with. I really learned how to behave on set through the people that I worked with, like the importance of being on time and the importance of being professional. I don't bring my cell phone on set; I leave it in my trailer.
But I have on occasion suddenly realised that some men feel slightly threatened by, or slightly baffled by, or confused by, possibly even now, by having a woman in... a very powerful role.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
I'm very, very lucky in that I have a partner who is willing to do it with me in a really collaborative way. Fortunately, even though we couldn't stay in a romantic relationship, our values are very much around the importance of family and the importance of those relationships.
I think Michael Crawford realised, I think we all realised, once we'd gone the route of casting a very young girl, you can't really cast a 65 year old man opposite. Slightly different resonance I think. No, we weren't going to go there. We'd have Jack Nicholson in the lead.
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