A Quote by Duncan Robinson
In a way, I feel like I can show just how good small college basketball can be.
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When I started women's college basketball coverage, it was exploding. I happened into a men's college basketball game because of a mistake, someone not showing up. So I've sort of been the beneficiary of good timing.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
Please don't misunderstand, I actually enjoyed the hecticness and the opportunity to cover women's college basketball. But the reality is as a young broadcaster the vast majority of my games came in men's college basketball and my viewership as a fan came in men's college basketball because that was what was available to me.
Basically, I played basketball for a small college out here in California and when I was done playing college, I settled down and got a job.
College was really good for me. It's where I did my growing up, learning how to live on my own and to be myself. That really helped. I've eased my way into everything since then, so it doesn't feel too crazy. It's just about being the same person, whether good things come my way or bad things come my way, and to enjoy the opportunities I have.
I just feel like there's a lot of things more important than just basketball, and I love basketball. It's what I want to do for the longest time possible. It's what I eat, it's what I sleep about, it's what I breathe, it's in my lifestyle. I just really feel like there's more important things than just putting the ball in the hoop.
For men's college coaches through to the NBA, I think basketball people are basketball people. When you start talking the game, gender has gone out the window, and they just talk basketball with you.
Being from Flint, especially in the basketball community, is a big deal. Basketball in Flint, you're pretty much like a god there if you play college basketball or are lucky enough to make it to the NBA.
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
The NBA is all about winning, but at this level (college basketball) winning doesn't make you happy. You can win, and play lousy, and in my program, feel lousy. To me it's about: How good can we be.
I became obsessed with making more and more tiny things. I think I was trying to find a way of compensating for my embarrassment at having learning difficulties: people had made me feel small so I wanted to show them how significant 'small' could be.
I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.
I can watch SportsCenter on a loop, like, five times in a row until my girlfriend is like, 'Seriously? It's the same highlights!' It just brings me peace, I think. Any kind of game - college basketball, college football, obviously anything pro.
I feel like I get all the good parts of college, cause I just college hop on the weekends and party with them, but I don't have to do any of the school part or the work part.
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
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