A Quote by Duncan Sheik

I make the kind of music I like. — © Duncan Sheik
I make the kind of music I like.

Quote Topics

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.
The music that I make isn't really like any of the music that I listen to. I think I listen to cool music, but I know that I don't make cool music - so it's kind of funny!
I just make music that I love. I'm kind of selfish when I make music. I'm like, 'Do I like this?'
Don't listen to what anyone tells you about the kind of music you make. Just make it! Be yourself, make your own music, and be totally true to your art. Because it's kind of a selfish thing to be an artist.
In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.
You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.
I've become kind of a haven for people who like pop music, but that's not the only thing they like. They also like music in general and want to be able to expand their own horizons. They haven't completely given up on music and are willing to have somebody mediate new things that are happening in music to them.
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