A Quote by Duncan Sheik
I think in a way I was probably completely naive about what it takes to make something become a hit.
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I think in a way I was probably completely naive about what it takes to make something become a hit
We always talk about our kids being a great way to judge whether it's a hit song because there's something very basic about the way they perceive the music that I think needs to be there if it's gonna be a hit.
I think that its an artist's responsibility to have a point of view. Society takes its cue from popular art. People need something to look to, something to provoke them into questioning whether they completely hate something or completely love something.
Sometimes with certain writing, you feel like you've got to be literal, hit it hard on the nose, just to get the point across. Good writing is more subversive I think - or good scenes. They are about one thing on the page but you can make it about something completely different.
When I was younger, I was kind of fearless. I think it takes more courage to do things when you know more. I was completely naive, and I was like, 'Why can't I do anything I want to do?'
I think filmmakers in general are, as the tools become more and more advanced, you're able to tell stories in a way that I think is more realistic. The technology just wasn't there up until pretty recently, and it takes a bit of time for the normal artistic way of approaching something to become a mainstream thing.
Naive' is not a word I associate with the Southern Rule. Superstitious, perhaps, traditional, yes, maddeningly set in their way, certainly but not naive." "I meant you are naive. They must have a hidden motive." "This is why I have no politics," said Darvin. "I can't think in those terms.
You have to think of a new way to completely surprise people who think they're hip. I always said you could make an NC-17 movie with no sex and no violence. Now I don't know what that could possibly be, but if you could think it up, you'd have a hit.
When I was younger, I was kind of fearless. I think it takes more courage to do things when you know more. I was completely naive, and I was like, why can't I do anything I want to do? You know, go for it.
I think when you make something that is non-mainstream and people don't have automatic way of consuming, like you don't have a big star, or a hit song or marketing money then you need to find some way to make audience aware of your film.
I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
Some people think it's naive to think we can make love our new bottom line. What I believe is naive is thinking human civilization as we know it will survive another two hundred years if we do not.
So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
Sometimes the easiest way to get something done is to be a little naive about it.
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