A Quote by Dustin Clare

We have researchers involved with the show [Spartacus] and they pointed me in a pretty great direction, in terms of what to read, and what to look at or look for, and they also provided me with some material.
My look is pretty low maintenance, I have a great team around me for hair and make-up, and they have also taught me some great tricks over the years for when I'm doing my own.
He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup, he'd look great in a dress. Vlad's scowl vanished into a smile as the brunet's gaze swung in my direction as though he'd somehow heard that. "Looks as though she's put you in your place as well, Bones," Vlad drawled.
I challenged Coleman and he accepted, he said he'd fight me. I pointed at Baroni and challenged him too, he looked at me with a bewildered look on his face and asked: "Me?", I said "Thats right, You!!" I also challenged Quinton Jackson and he looked at me and said "Me too?", and I responded. If you want some, there is some for you too!
If you taught me to read and provided for me the same computer system as someone has provided for Stephen Hawking, I, too, would write great books. And yet you don't teach me to read, and you don't give me a computer stick I can push around with my nose to point at the next letter I wish typed. So whose fault is it that I am what I am?
My method is the magpie's: I look for shiny things. That is, I look for concrete material details of daily life, and I look for vigorous prose, which is the only kind I can read for very long. That effectively bars a great deal of scholarly work, but I didn't feel its loss.
People have been accusing me of that ever since I got involved in politics. Some would just like to stick a pin through me like insect researchers do a dried butterfly and then say: Look, there's the banker who doesn't like people. If that were the case, I would not be here. I am not arrogant to the French - I am determined.
I put out a lot of different kinds of material, and maybe people read that as egotistical. Or maybe, since a lot of it does involve some aspect of me, they find it self-aggrandizing. But there’s a long tradition of artists using themselves. Look, I know I’m not perfect. And, who knows, maybe a part of it has to do with self-obsession. But it’s also about using this weird thing that is a public persona as raw material for creative projects.
For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?
The reason I'm in this business, I assume all performers are -- it's Look at me, Ma! It's acceptance, you know -- Look at me, Ma, look at me, Ma, look at me, Ma. And if your mother watches, you'll show off till you're exhausted; but if your mother goes, Ptshew!
I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.
I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.
I spent my entire childhood going 'look at me, look at me, look at me,' before realising I needed someone to look at me for more than just what I was showing off for.
I don't look at scripts in terms of commerciality. I just look at the part, the people involved.
I don't believe in telling all to the public, but I feel a certain gratitude to them for having provided me with a fine material base that enables me to do pretty much what I want, possibly, for the rest of my life.
My motivation is to get a deeper understanding and exploration of something that I want to know about the human condition. So, that's what I look for in the material I read: if it's asking a genuine question about a concept of the world that interests me. And also, it helps if it's a context that I find interesting.
Look at the potential for America. Look at the direction we've been going. Look at the direction we need to go.
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