A Quote by Dustin Clare

The rig work can be rewarding to pull off, a really good rig in a set of wires where you're throwing yourself up walls and doing moves mid-air. That's just fun. — © Dustin Clare
The rig work can be rewarding to pull off, a really good rig in a set of wires where you're throwing yourself up walls and doing moves mid-air. That's just fun.
L.A. is fun, but it feels like one of those towns in the north of Scotland where there's an oil rig just off the coast and whether or not you work for the oil rig, everyone is connected to it.
Doing all the rig work and the stunt work has actually been wonderful. It's a whole new skill set that I've learned that I'll get to take onto my next jobs. We get to do that all the time, the fighting and the learning new moves. It's quite exciting.
Right after I resigned from the Army in 1965, I flew helicopters for oil platforms in the Gulf of Mexico. I flew personnel from rig to rig, and I'd live on a platform out at sea.
What better way to head off more oil drilling, nuclear plants, than by blowing up a rig? I'm just noting the timing, here.
I do not think there should be a limit on the rig's liability, because they are sitting on top of unlimited amounts of oil, and thus, there could be an explosion occur that could do untold damage. ... The amount of damage that an offshore oil rig can do is infinite.
Even with Dream Theater, we track in a big studio and everything. But when it comes to doing leads, I don't really require a lot of studio to do that. I need a good sounding room and a Pro Tools rig, and some Neve mic-pres, and I'm good.
The mother-in-law had an accident at work. A hot rivet dropped down her drawers and she fell off the oil rig.
Driving to set for 'The Rig', the route went right past my old secondary school. Every morning when I was going to work, I was passing Leithy and thinking: 'Oh my God, there's where Billy Gilfillan punched me in the mouth' or whatever.
I have no interest in getting a rig that might clean up my sound or a delay pedal that might allow me to arpeggiate something bouncing off a string, and I don't plan on ever getting the grounding fixed on my guitar. I really like raw sounds.
After weigh-ins you're doing wheat pasta or you're trying to carb back up. This was actually really throwing me off, causing an inflammatory response in my digestive system, in my brain, in my body. Throwing off my mind.
I'll give you a great example of an issue that no one brought up during this Florida primary, the fact that we're going to have a Chinese made oil rig put in place about 60 miles off the coast of Florida.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
L.A. is like an oil rig. It's not pretty. It's awful. The air is bad, the view is bad, the people are bad.
Modeling is a very hard job. I know that sounds like a really shallow thing to say, but you have people pulling on your hair all day, telling you what to do, fitting you, telling you to bend over, hitting you, taking your shoes off, throwing you up against a wall - it's a lot. You have to really be able to handle yourself and bring something. It's not just enough to have a cute body and jump up in the air and go, "wow!"
When it comes to the form the narrative will take, whether first person, third person, or Aunt Grace's cat, I usually find that the story tells me which voice it prefers, and that often changes as I go along. And in the end it really doesn't matter as long as the author can rig those voices all in harness to pull the same load.
I'm a former skydiver, I jumped out of all kinds of things including a hot air balloon. Ironically, once I started skydiving, I felt nervous not having my rig on in case the plane went down because I wasn't used to landing.
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