A Quote by Dustin Diamond

Our music, you either get it or you don't. There's no middle ground. — © Dustin Diamond
Our music, you either get it or you don't. There's no middle ground.
People feel removed from sexism. 'I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple.
When I was growing up, I always felt there was an expectation that I would do one of two things: be great at something, or go crazy and become a total failure. There is no middle ground where I come from, and I am only now beginning to get a sense that there is a middle ground at all.
One is either packed or unpacked. There is no middle ground.
In my experience, you either have encapsulation and abstraction or you have neither. There is no middle ground.
Rapping and singing are not two polar opposites. There's so much middle ground. And I think there's a lot of people who find that middle ground.
The mind is either at war with God or it is being renewed. There is no middle ground.
The older I get, the more determined I feel to do whatever I can to help release that human potential somehow. Not in a fluffy way nor in a hardcore way. But in that middle ground, that marriage of love and power. I'm not afraid of either.
That middle ground of films used to be 70, 80, 90, 100; now it's like anything over 20 or under 140, the middle ground has become this huge area where they don't really want to be.
Poetry either pulses with real life or it's just an aborted simulacra. There's no middle ground.
People either hate my paintings or they love them. There does not seem to be much middle ground.
With 'Snowtown,' you either love it or you hate it; there's no middle ground. So I've come to understand and appreciate that's the kind of film that it is.
This whole concept of boots on the ground, we've got a phobia about boots on the ground. If our military experts say, we need boots on the ground, we should put boots on the ground and recognize that there will be boots on the ground and they'll be over here, and they'll be their boots if we don't get out of there now.
We either believe in the dignity of the individual, the rule of law, and the prohibition of cruel and unusual punishment, or we don't. There is no middle ground.
I'm either shooting nine grams of coke a day or spending two hours at the gym. There's no middle ground.
On Being Blue celebrates both language and that which it represents and carefully draws our attention to that difficult middle ground on which the writer finds himself in lifelong struggle to join the two without sullying or smearing the clarities of either.
The new ground that you form in your living is a new self, a new self that isn't at all of the middle ground, a lived-in self that has no need of middle ground. That new self makes unseen reality within seen.
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