A Quote by Dustin Hoffman

It isn’t a big jump in the imagination to see yourself living alone like Mr Hoppy. — © Dustin Hoffman
It isn’t a big jump in the imagination to see yourself living alone like Mr Hoppy.
Living as an actor is rather like living life on the trapezes in a circus. Every time you jump on, you have to pray that, when the time comes for you to jump off, there is another trapeze swinging your way.
There's a sense of aliveness that comes from connection, shared experience. And you see it in every place. You see it when ball players jump up and down, gather at home plate, hugging, and it's not just because they're winning, it's that shared moment, that feeling of - we enter the world alone, we leave alone.
Imagination comes from yourself and can deceive you, but vision is a gift from outside yourself - like light striking on your closed eyelids and lifting them to see what's really there.
You never identify yourself with the shadows cast by your body, or with its reflection, or with the body you see in a dream or in your imagination. Therefore you should not identify yourself with this living body either.
Ze soldiers are very hoppy shooting ze pipples who say that ze pipples are not hoppy.
I'm used to living alone, and I like it that way. You become so selfish living alone...I'd make a terrible husband anyway.
I'm perpetually single. Being alone is not the same as being lonely. I like to do things that glorify being alone. I buy a candle that smells pretty, turn down the lights, and make a playlist of low-key songs. If you don't act like you've been hit by the plague when you're alone on a Friday night, and just see it as a chance to have fun by yourself, it's not a bad day.
You'll never have any trouble with Mr. T, I'm just a big, calm teddy bear kind of guy. Mr. T ain't ashamed to cry. When I go out and I meet people who are suffering and they come and talk to me, Mr. T cries, Mr. T who could break a man's jaw with his fist.
We are all alone, born alone, die alone, and -- in spite of True Romance magazines -- we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonely -- at least, not all the time -- but essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness.
Let no-one define how you see yourself...save God alone. See yourself through His eyes and His strength, and you'll see who you can be despite being who you are. But see yourself through your own eyes, and you'll be left to question, and to doubt, subject to the whims and wishes of others who will not have your best at heart.
Insularity is the foundation of ethnocentrism and intolerance; when you only know of those like yourself, it is easy to imagine that you are alone in the world or alone in being good and right in the world. Exposure to diversity, on the contrary, is the basis for relativism and tolerance; when you are forced to face and accept the Other as real, unavoidable, and ultimately valuable, you cannot help but see yourself and your 'truths' in a new - and trouble - way.
Initially, I was scared of living alone in a big city like Mumbai, which is nothing like Bangalore. I'm more comfortable now; it feels like a home away from home.
Bouncing in hoppy little circles like a demented Goth bunny.
When you are old you can look back and see yourself when you are young. It is almost like looking down from heaven. And you see yourself as a young woman, just a big girl really, half awake to the world. You see yourself happy, holding in your arms a good, decent, gentle, beloved young man with the blood keen in his veins, who before long is going to disappear, just disappear, into a storm of hate and flying metal and fire. And you just don't know it.
It makes me feel like a very special person, that I'm able to make my living with my imagination. I developed a big respect for my calling while I was in school, and it remains with me to this day.
I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.
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