A Quote by Dusty Hill

The women really seemed to like 'Rough Boy.' — © Dusty Hill
The women really seemed to like 'Rough Boy.'
I don't believe you know anything about a man like me or a country like this. It takes rough men, Miss Fair, to tame a rough country; rough men, but good men. Your father is in that class. As for you, I don't think you'd measure up, and you'll do well to leave it. You're a hothouse flower, very soft, very appealing and very useless...In the world you are going to, men want pretty useless women. They want toys for their lighte moments, and we have those women out here, too, only we have another name for them. We want women who can make a home, and if need be, handle a rifle.
I love women, and I have a lot of really close girlfriends, but I'm not one of those women who's like, 'Ew - that's boy stuff.'
I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
The thing is, it really did take us too long to get these recordings done. We've had our rough times in the studio in the past, but after four weeks most of the material would have been recorded. This time it seemed like it just goes on and on.
I worked for a smoothie company, and that was rough. I also sold women's shoes for a very long time. That was super rough.
The Little Drummer Boy was playing in the background for what seemed like the third time in a row. I fought off an urge to beat that Little Drummer Boy senseless with his own drumsticks.
I'm a girl in boy's clothing. I like to get a little rough. I prefer mud to makeup. That's me in a nutshell.
There's a look of mischief in his eyes. 'Smilla. Why is it that such an elegant and petite girl like you has such a rough voice.' I'm sorry,' I say, 'if I give you the impression that it is only my mouth that's rough. I do my best to be rough all over.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
I really want women to appreciate their power. It was obvious to me that lots of people are comfortable with power, and they see what it can do, but women's expression of it was never as comprehensive as it could be. It seemed like an amazing gift that Oxygen could give.
The Seventies seemed like this really open time. There were a lot of strong women characters deciding what kind of artists they wanted to be.
I so often heard from women that they saw this beautiful fashion, but it didn't always work for them - whether it was cultural reasons, lifestyle reasons, body type reasons. So it seemed like in my mind there was a gap there, that women really wanted to be able to customize items to fit their needs and their tastes.
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
Suarez is like a cheeky boy, he looks like a cheeky boy who can really switch on and off how he wants to be, so that is really something. When he is on the pitch, what is going on around him doesn't bother him.
My father was a civil servant in northern India where I was born. As a boy I saw the dire effects of poverty and illiteracy, especially on women and children. It often seemed that the only thing separating me from them was luck.
What I like about the American woman is she usually has a lot of dynamism. In the U.S., women have a tendency to go forward, to be more exaggerated than in Europe. Many times the rough ideas come from the States, then they are refined in Europe. The American women and the French women are still the best-dressed.
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