A Quote by Dusty Hill

Actually, my mother turned me on to the blues. We had Lightnin' Hopkins as well as Elvis Presley records. — © Dusty Hill
Actually, my mother turned me on to the blues. We had Lightnin' Hopkins as well as Elvis Presley records.
The first time I ever heard the blues, my parents had a stack of records that they weren't using anymore. I found them when I was ten; I didn't know what it was. But I found Lightnin' Hopkins.
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.
In 20 years I had sold more records for RCA than any artist except Elvis Presley.
My father had a couple of Mitch Miller records and a Spike Jones record, and that was it. My older brother had two or three Elvis Presley singles, and that was about it. The rest of it I did on my own.
I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.
I loved music from the age of eight. Jazz and blues. But also Little Richard and Elvis Presley.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
I have a very long and beautiful love affair with Elvis Presley. I own every record he ever made, so I have about 150, almost 200 records of his. So much that I haven't even listened to all of them. I see an Elvis record that I don't have, and I'll buy it and put it in my collection.
Elvis Presley invited me to Las Vegas for one night but we got on so well that I stayed for three.
I wanted to say to Elvis Presley and the country that this is a real decent, fine boy, and wherever you go, Elvis, we want to say we've never had a pleasanter experience on our show with a big name than we've had with you.
People don't realize what they had till it's gone. Like President Kennedy, there was no one like him, the Beatles, and my man Elvis Presley. I was the Elvis of boxing.
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
I saw footage of Johnny Cash and Elvis Presley just hanging out together in Memphis when they were young guys getting started at Sun, listening to records together. That was beautiful to me.
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