A Quote by Dusty Hill

It's always important for us to record, so if we're not performing live, that's what we're doing. — © Dusty Hill
It's always important for us to record, so if we're not performing live, that's what we're doing.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
I always love performing live, and that's what I was doing that started getting me acting parts, so I still find time do it.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
A record can make an artist sound in tune or make the music sound pretty. But the real test is performing live, and I think we pass fairly well, because people keep asking to see us play.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
I mean, there's definitely a difference between film and live performances or live television. But at the same time, it's just performing. No matter what, it's performing.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.
For me, I live for performing live because people look at magicians on television, and they always wonder, 'Is it a camera trick?' 'Is it a stooge?' whereas, live, they know there's no set-ups; there's no stooges.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
It was always important to me that I made a record where I really sang well, and I don't think it's happened yet. There's always a possibility with each album that I might not record again, and I wanted to produce one that I could feel was mine.
If I live to be 90, and I'm planning to, I'll always love performing for a live audience.
The nice thing about us lot is that what we do is of no consequence. We don't do things that are important; we spend our lives doing things which are not important. That's what's nice about us, we're not pompous. We never do anything very bad that's gonna change the world. We're not serious, we're butterflies. We live for a day.
'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
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