A Quote by Dutee Chand

My story is very long. And for somebody to write a good story, one needs a good writer, too. — © Dutee Chand
My story is very long. And for somebody to write a good story, one needs a good writer, too.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
I think the writer makes a good story good or a good story bad. The writer has a great deal of responsibility.
What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.
Write a story a great writer would write. Because part of becoming an artist is pushing through all the disbelief of those around you, deciding that you are a writer when you have no idea what a plot is or whether what you've written is any good, or anything.
I remember doing 'The Long Fall of One-Eleven Heavy,' and I'd been reporting that story for a long time; I had a lot of good facts, but I had no story. I didn't know what the story was.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
It's very hard to tell somebody how to write when they're so good, and they're a brilliant writer and a really good guy.
Readers re-create any story to suit their own needs. They re-clothe the story in their own shirts. Put simply: just as we write the story we need to write, they read the story they need to read.
When you can state the theme of a story, when you can separate it from the story itself, then you can be sure the story is not a very good one.
Let the story lead you. If the story needs to be dark, let it go dark. If it's a sweet, good-for-the-world story, that's what it is.
Respect is one of the greatest expressions of love. If other people try to write your story, it means they don't respect you. They consider that you're not a good artist who can write your own story, even though you were born to write your own story.
A good short-story writer has an instinct for sketching in just enough background to ground the specific story.
How does it happen that a writer who's not even very good - and I can say that, I've read four or five of his books - gets to be in charge of the world's destiny? Or of the entire universe's?" If he's not very good, why didn't you stop at one?" Mrs. Tassenbaum smiled. "Touché. He is readable, I'll give him that - tells a good story.
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