A Quote by Dwane Casey
Make or miss, you still have to shoot the same shot with confidence.
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Even if I do miss a shot, I'm going to be comfortable to get back up there and shoot the same shot again. Make or miss, I'm not going to be frustrated but move on to the next play.
I think the worst thing you could do is not shoot the shot. When you shoot you got two options: It can go in or you can miss, and even in the miss you might learn.
So much of the game is mental, and that's one thing that I've always wanted to be good at. That if I miss a shot or make a bad play, to never let your opponent see that you are in duress or upset - that they've won in any way. So if I make a big game-time bucket or if I miss a shot, you'll see the same mannerisms. I move on to the next play.
It's a miss and make league. As long as you have that confidence to take that last shot, knowing - I'm pretty sure you can't go home and sleep at night knowing you had the opportunity to take that shot and you shied away from it.
It's hard to play with any kind of confidence when you feel like if you miss one shot, if you make one mistake, you're getting pulled.
I have a lot of confidence in my shot and I'm willing to shoot it no matter what.
As an actor I want to do as many takes as I can. I wanna shoot the scene... or shoot the shot 'til they make me quit.
Sometimes I screw up in the game, I miss a shot or I miss a rebound, and I fight myself. I am like, 'Why I miss that shot? Come on, what are you doing?' I am fighting myself.
Not missing games, miss one game due to injury in my career, and that even hurt me to miss that game, but I just love to get out there and compete, both ends of the ball, and I don't think I'm afraid to take the big shot. If I'm 2-for-15, I'm not afraid to take that shot, make it 3-for-16.
In every squadron there were, perhaps, four or five pilots who exuded confidence. They knew that they were going out to shoot. The rest knew sub-consciously, that they would make up the numbers, mill about, and get shot at.
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
At the beginning of my career, I shot a lot more documentaries because I liked the adventure, and probably also because it was easier, and still is easier, for women DPs to shoot documentary than it is to shoot fiction.
I do feel like I have a lot more confidence now. I can shot list the episode before I start, but then, as things happen on set, I know how to adjust so I can still execute the scene completely, and I still know how to make my days.
I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I'd shoot during the game.
During 'Stranger Things 3,' I shot 'It: Chapter Two,' so I would shoot on my days off, which was super tiring and stressful, but really rewarding at the same time. Basically, I shot 'It: Chapter Two' and 'Stranger Things 3' at the same time.
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