A Quote by Dwane Casey

I have a favorite poem. From Rudyard Kipling. It's called 'L'Envoi.' — © Dwane Casey
I have a favorite poem. From Rudyard Kipling. It's called 'L'Envoi.'

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Kipling said that Success and Failure are both imposters, and we should all listen to Kipling, if only because none of us are likely to know anybody else named Rudyard. But having been bitten in my life by the jaws of both victory and defeat, I must rush to add that success is to failure as butter pecan ice cream is to death.
Authors as diverse as Rudyard Kipling, E. Nesbit, and J. R. R. Tolkien have shaped modern paganism as greatly as any theological underpinnings.
I think it's safe to say that 'manliness' was a common theme in my upbringing. It was an assumed status, but - and here's the important bit - it was the Rudyard Kipling kind. The emphasis was on gentlemanly conduct, sportsmanship, fairness and stoicism.
My wife and I have this discussion all the time. Her primal influences are J.R.R. Tolkien, C.S. Lewis and George MacDonald. Mine are Rudyard Kipling, Edith Nesbit and T.H. White. So, we have certain structural differences in form and content right off the bat!
A Time For Prayer "In times of war and not before, God and the soldier we adore. But in times of peace and all things righted, God is forgotten and the soldier slighted." -Rudyard Kipling
One of the problems with NPR is that there is so much political correctness that if you've got a name that looks like it was made up by Rudyard Kipling, you've got a better chance of getting hired. I'm a white guy named Tony Snow for heaven's sake. That's as white as it goes.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.
Many years ago Rudyard Kipling gave an address at McGill University in Montreal. He said one striking thing which deserves to be remembered. Warning the students against an over-concern for money, or position, or glory, he said: 'Some day you will meet a man who cares for none of these things. Then you will know how poor you are.'
The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village.
One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the child room door. The critics will never forgive you such. The great Rudyard Kipling is one of a number of people to have suffered from this. I keep wondering to myself what this peculiar contempt towards anything related to childhood is all about.
This poem has been called obscure. I refuse to believe that it is obscurer than pity, violence, or suffering. But being a poem, not a lifetime, it is more compressed.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
My favourite poem is called 'Roots and Wings' - it's a very moving poem about how if you've got real roots you can fly.
I've got a poem that's in a lot of international anthologies called 'After the Anonymous Swedish' and I thought, 'Well, I'm a Swede. I can make up a Swedish poem.' It turned out pretty good.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
It has been said that a poem should not mean but be. This is not quite accurate. In a poem, as distinct from many other kinds of verbal societies, meaning and being are identical. A poem might be called a pseudo-person. Like a person, it is unique and addresses the reader personally. On the other hand, like a natural being and unlike a historical person, it cannot lie.
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