A Quote by Dwane Casey
I tried to listen to way too many voices in my first stint as a head coach. The second time around, I know what I want and how I want to do it.
Related Quotes
I would be a very demanding coach. I wouldn't yell and scream, but I want players that want what I want. And that's why I couldn't coach, 'cause I know how hard it is and I know how hard I want you to play. But everyone's not going to do what I want.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
The nice thing about being a band that nobody knows about is that you can do whatever you want, you know? Without catching hell for it. That's sort of how we felt about the re-recording, too. I thought, "Well, you know a few people noticed this record the first time around but not so many will really protest if we do it again."
I've had such a great run with The Dutchess...and now this. You know, it is so interesting how in this business, the second you start dating they want to know if you're engaged. The second you're engaged they want to know when you're going to be married. The second you're married, they want to know when you're having children.
It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.
I spent so much time focusing on haters that I forgot about the people that actually love me. And that's who I'm focused on this time around: the people that want to listen. The people that don't want to listen, don't listen. This is for the people that want to.
There are a whole load of different pressures that go with being the head coach, manager, whatever you want to call it. And everybody who's done it, there are times when it becomes too much and you need some sort of break while you figure out how you de-stress, if you want.
I'd rather be involved and somebody say, 'Hey, coach, here's what I need you to do. Go down to the D-League and work with guys'... I want the D-League coach to learn how to be a head coach.
I don't like to be overexposed. Too many articles, too many tweets, too many posts, I just don't like that. But at the same time, we live in a culture where that's almost necessary. People want content and they want their stuff when they want it.
Leaders who want to show sensitivity should listen often and long and talk short and seldom. Many so-called leaders are too busy to listen. True leaders know that time spent listening is well invested.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
When you listen to my music, you hear that there are all these voices going on in different parts of the song. That's because I was always around so many voices in church.
Listen to the triple fugue in 'Magnificat' - the first subject is seven voices, the second one has 52 different voices, the third uses five; then I combine all together. Such textures you cannot call primitive.
I never want a coach to feel like he needs to be my friend, I always want a coach to be the coach and I'm the type of guy that wants to be held accountable all the time, so I respect coaches.
I want to be somebody, a person, first that people remember, but also, I want music that I release to still be around. I don't want it to just be cool for a second and be gone.
I did a stint on 'Dollhouse,' and prior to my stint on 'Dollhouse,' I had no plans to be working with Joss Whedon until he said, 'Hey, do you want to do this?' When he calls, I'll pick up the phone, and that's how that works.
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