A Quote by Dwayne Hickman

My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
I like to rehearse and rehearse and have everything exactly calculated before we start shooting - probably to a fault.
I don't rehearse a lot. I try to keep it organic. Even in movies, the less I rehearse, the better I am.
There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
If I'm going to rehearse, I don't necessarily rehearse in costume.
Rehearse death. To say this is to tell a person to rehearse his freedom. A person who has learned how to die has unlearned how to be a slave. He is above, or at any rate, beyond the reach of, all political powers.
I don't rehearse on either of my shows, 'Family Feud' or my talk show. I never rehearse with the guests. I don't want to have any preconceived thoughts, notions, because that kills my creativity as a host and as a stand up.
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
On stage, you rehearse for five weeks, and it goes out to 300 people. In 'EastEnders,' you get ten minutes to rehearse, and seven million people watch it!
Stage acting is for me the basic form of acting. If you make films all the time, you have so few possibilities to rehearse. And it's important to rehearse, because it gives you the possibility to try things which are not good!
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
She [Susan Lucci] was extraordinary. She wouldn't look at the scene until you walked in to rehearse it. It was amazing to me. That's the impression I got anyway.
I just wanted to do my own thing after The Murderdolls. The Murderdolls were so spread out all across the US that we couldn't just say, "Let's go rehearse." For us we had like four days to rehearse because everyone had to book flights, so we just never got as tight as most bands should be.
Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.
One thing I did inject was a different work ethic: Guys, no, we don't rehearse once or twice a month, we rehearse every day after work and on weekends, and that's how we're gonna get better. And everybody adopted that work ethic, and it did pay off.
I've done films where we don't rehearse, and I've done films where we heavily rehearse. I like rehearsals.
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