A Quote by Dwayne Johnson

When I was 8, I thought I was Harrison Ford, Gene Wilder, Richard Pryor, Elvis, and Chuck Norris all at once. — © Dwayne Johnson
When I was 8, I thought I was Harrison Ford, Gene Wilder, Richard Pryor, Elvis, and Chuck Norris all at once.
When I was a kid, I was a combination of Elvis, Richard Pryor, and Harrison Ford from Indiana Jones. I didn't know the value of being able to make someone happy. What kid really understands that? It wasn't until I got into professional wrestling that I felt like, "Oh, it's not only incredibly gratifying to achieve something but also to make people happy".
Just deleting vandalism on the Chuck Norris page," Radar said. "For instance, while I do think that Chuck Norris specializes in the roundhouse kick, I don't think it's accurate to say, 'Chuck Norris's tears can cure cancer, but unfortunately he has never cried.
When Chuck Norris stands in front of a mirror it shatters because the mirror knows never to stand between CHUCK NORRIS and CHUCK NORRIS.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
There's only going be one Richard Pryor. You know how many came out after Richard Pryor and died trying to be compared to him? Or Bernie Mac? You got to be like you.
I was trained by, at the time, the toughest man in the world. Not according to him, either. His name is 'Judo' Gene Lebell, and he trained Bruce Lee, Chuck Norris. He's the godfather of MMA.
Richard Pryor was my hero. Richard Pryor was keeping it 100.
Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.
I was on the school bus telling Richard Pryor jokes. I was sneaking, listening to Richard Pryor albums and would go to school the next day, tell all the jokes, and get in trouble because I was cursing.
When I was a kid, I loved Elvis, and Harrison Ford as Indiana Jones. But I had no connection to Hollywood - and being a movie star was such a far-fetched idea, growing up in Hawaii.
When I was in high school in the '50s, all pop music - Elvis, Chuck Berry, Little Richard - was aimed at teenagers. I loved that stuff.
It doesn't interest me to be Harrison Ford. It interests me to be Mike Pomeroy and Indiana Jones and Jack Ryan. I don't want to be in the Harrison Ford business. I take what I do seriously, but I don't take myself seriously.
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
Elvis Presley's Sun stuff - there's an album out in England with just about all those sides on it - you know, the sound of that upright bass slapping away: that's what I like to listen to. That and Richard Pryor, that is.
Chuck Norris doesn't need to understand the work of James Joyce; James Joyce needs to understand the work of Chuck Norris.
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