A Quote by Dweezil Zappa

I started touring in 2006, and there was an agreement made for merchandise between my mom and myself. — © Dweezil Zappa
I started touring in 2006, and there was an agreement made for merchandise between my mom and myself.
I started touring a little bit in 1973 in support of a record I made for an independent label. In 1975, when I signed with Warner Bros., where I remained happily ensconced for the next 24 years, my touring activity increased considerably.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
It's hard to say exactly when it all started or what show it was, but I started touring when I was 11. I played all over Dallas and Fort Worth, and eventually I was touring the whole state.
I think the 360 deals are what stands out to me, first and foremost. I never would have dreamed that record labels would be taking a piece of touring, merchandise, and everything else. The world has changed so dramatically from when we first started.
Morally and philosophically I find myself in agreement with virtually the whole of it: and not only in agreement with it, but in deeply moved agreement.
The good news is that the Paris Agreement is not just a bilateral agreement between the United States and some other country. You have 200 countries who came together. It's an international agreement.
I make my money off of touring and merchandise. And I'm lucky I have really loyal fans that understand how it works and support.
Fully implementing the WTO trade facilitation agreement is one ingredient to reduce border delays and costs for traded merchandise.
Before I started touring, I worked with someone to help me, even physically, because I was so shy. And you can't be shy going onstage. So I had to push myself in a direction that wasn't myself.
I started in the late 70s, beginning of the 80s, and I think I started to sing and make music as a therapy for myself; I never planned to be an artist; sometimes when I think about it it's crazy that I'm here, and I'm touring, and I'm doing what I'm doing.
My mom made me look in the mirror every day and say three things that I loved about myself. At first, I couldn't name anything. It was so sad. When my mom made me do that, I looked in the mirror, and I literally couldn't name one thing that I loved about myself.
I make money from touring and selling merchandise, and I honestly believe if you put effort into something and you execute properly, you don't necessarily have to go through the traditional ways.
I started blogging in 2006 when I had sold my first novel but it had not yet been published, in those anxious months in between while I learned the whole process.
Our characterization of collective folly is that sound judgment is not feasible when there is forced or false agreement in groups. We also show how group polarization sets the stage for risky and even dangerous decisions to be made. How we navigate between false agreement and polarization is the kind of mastery that collective wisdom represents.
When I was three, I lived in Florida, and my mom took me to see the touring production of 'Cats.' And I was, like, absolutely silent - which for a 3-year-old never happens - and I turned to her and said, 'I need to do this.' That's when I started my performer journey.
When we started out in the U.K., there were songs that we made, we put them on the Internet, and we immediately started touring the U.K. We borrowed our friend's mum's car, and drove ourselves around for, like, a year playing gigs in pubs and tiny little venues. In that respect, we're pretty grass roots as a band. We've done all that together.
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