A Quote by Dweezil Zappa

I really want younger audience members to see kids in their early 20's playing Frank's music and to be inspired to take things to a higher level themselves. — © Dweezil Zappa
I really want younger audience members to see kids in their early 20's playing Frank's music and to be inspired to take things to a higher level themselves.
I think burnout is a big thing. If I could do it over again, I'd probably do it the same way, playing other sports when I'm younger. I see a lot of parents really push their younger kids really hard, and you want to see your kids do stuff, but there's a point where they really should have fun at that age.
The world we live in is like a Benetton ad. It's changed, and we have to appeal to a broader audience. You want younger kids of every race to be able to see themselves in the movie.
In the next 15 or 20 years, I hope I'll be the richest man in the world. That's one of my goals. I want to be a billionaire. I want to get to a position where generation on generation don't have to worry about nothing. I don't want family members from my kids to my son's kids to never have to worry. And I can't do that now just playing basketball.
Playing Batman is an actor's challenge. First, it's different; then, you have to reach a multi-level audience. The kids take it straight, but for adults, we have to project it further.
I make a great part of my living by traveling and speaking. To me, it's like being a politician, you meet your audience, you constantly see the people and they're getting younger for me which is really, really encouraging. I get older and my audience gets younger. It couldn't be better.
We hope girls are inspired to start playing at a younger age and try to get to a World Cup themselves.
I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.
I'm inspired by everything, really. I'm inspired by locations and travel, I'm inspired by art and music, I'm inspired by people. When my curiosity peaks and I want to know everything about the subject, I want to know how I can get more deeply involved.
I always want to do - take everything and take it to the next step. I don't want to just keep doing something the same ol' thing. Obviously, I could have wrote 'Mother' 20 times and made tons of money and be playing gigantic arenas and whatever, but that's not really what I want to do.
Dilla was a John Coltrane-type dude. He was always on a higher level. He inspired my music to become looser and more soulful.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.
I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
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