A Quote by Dwight L. Moody
You can always tell when a man is a great ways from God--he is always talking about himself, how good he is. But the moment he sees God by the eye of faith, he is down on his knees, and, like Job, he cries, "Behold I am vile.
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Whether you can see it or not - and often we cannot - everything is being used of God for your good as well as the good of othersThis knowledge is by faith. It is not always by sight. But it is nevertheless certain, because it is based on the character of God, who reveals himself to us as both sovereign and benevolentWe are not to be anxious about the unknown future or to fret about it. We are to live in a moment-by-moment dependence upon God.
A man becomes spiritual insofar as he lives a spiritual life. He begins to see God in all things, to see His power and might in every manifestation. Always and everywhere he sees himself abiding in God and dependent on God for all things. But insofar as a man lives a bodily life, so much he does he do bodily things; He doesn't see God in anything, even in the the most wondrous manifestations of His Divine power. In all things he sees body, material, everywhere and always - "God is not before his eyes." (Ps. 35:2)
By His gracious condescension God became man and is called man for the sake of man and by exchanging His condition for ours revealed the power that elevates man to God through his love for God and brings God down to man because of His love for man. By this blessed inversion, man is made God by divinization and God is made man by hominization. For the Word of God and God wills always and in all things to accomplish the mystery of His embodiment.
I will prove that the world is wrong, by showing what God is...God himself was once as we are now and is an exalted man, and sits enthroned in yonder heavens! That is the great secret...I am going to tell you how God came to be God. We have imagined and supposed that God was God from all eternity. I will refute that idea, and take away the veil, so that you may see
Trump has a mind that in many ways is always under duress, because he's always seeking to be accepted, loved. He sees himself as constantly victimized by others and by the society, from which he sees himself as fighting back. So there's always an intensity to his destructive behavior that could contribute to his false beliefs.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
Like the eye which sees everything in front of it and never sees itself, faith is occupied with the Object upon which it rests and pays no attention to itself at all. While we are looking at God, we do not see ourselves - blessed riddance. The man who has struggled to purify himself and has had nothing but repeated failures will experience real relief when he stops tinkering with his soul and looks away to the perfect One.
But the man who is not afraid to admit everything that he sees to be wrong with himself, and yet recognizes that he may be the object of God's love precisely because of his shortcomings, can begin to be sincere. His sincerity is based on confidence, not in his own illusions about himself, but in the endless, unfailing mercy of God.
Originally man was made in the image of God, but now his likeness to God is a stolen one. As the image of God man draws his life entirely from his origin in God, but the man who has become like God has forgotten how he was at his origin and has made himself his own creator and judge.
What God asks of men, said [Billy] Graham, is faith. His invisibility is the truest test of that faith. To know who sees him, God makes himself unseen.
The line of communication between God and man is always open unless broken by man himself. We are, as it were, always in the presence of our Father in Heaven. Through His Holy Spirit, God is with us always and everywhere.
A faithful person sees life from the perspective of trust, not fear. Bedrock faith allows me to believe that, despite the chaos of the present moment, God does reign; that regardless of how worthless I may feel, I truly matter to a God of love; that no pain lasts forever and no evil triumphs in the end. Faith sees even the darkest deed of all history, the death of God's Son, as a necessary prelude to the brightest.
That experience showed me that I-from moment to moment-am the only person in control of my connection to God. It's not that God is deciding to connect with me, depending on whether I had a good day, or did good or bad deeds. It's all up to me. God, the awareness of God, the love of God, the blessings of God-that lively ecstasy-is always there. It's me who separates from God by judging, by indulging in negativity, by criticizing myself, as well as others.
If we insist on visible proofs from God, we may well prepare the way for a permanent state of disappointment. True faith does not so much attempt to manipulate God to do our will as it does to position us to do his will. As I searched through the Bible for models of great faith, I was struck by how few saints experienced anything like Job's dramatic encounter with God. The rest responded to the hiddenness not by demanding that he show himself, but by going ahead and believing him though he stayed hidden.
No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
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