A Quote by Dwight L. Moody

The best work usually meets the strongest opposition. — © Dwight L. Moody
The best work usually meets the strongest opposition.
The Opposition aren't really the Opposition. They're just called the Opposition. But in fact they are the Opposition in exile. The Civil Service are the Opposition in residence.
When Steampunk meets adventure and adventure meets comedy and comedy meets ingenuity and ingenuity meets charm and charm meets wonder and wonder meets pleasure the result is a Triumph. Dr Grordbort is the future. And the past. Which makes an ideal present.
Every good work has to face opposition, and the reaction of the opposition offered always helps the work.
You got to surround yourself with the strongest in the world, the strongest training partners and the best people. That's what I do.
The argument culture urges us to approach the world-and the people in it-in an adversarial frame of mind. It rests on the assumption that opposition is the best way to get anything done: Conflict and opposition are as necessary as cooperation and agreement, but the scale is off balance, with conflict and opposition over-weighted.
When an individual wishes to stand in opposition to authority, he does best to find support for his position from others in his group. The mutual support provided by men for each other is the strongest bulwark we have against the excesses of authority.
The Weeknd's 'Can't Feel My Face' is very experimental. It's pop meets urban meets indie meets alternative.
In every particular state of the world, those nations which are strongest tend to prevail over the others; and in certain marked peculiarities the strongest tend to be the best.
I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature.
We all like to congregate at boundary conditions. Where land meets water. Where earth meets air. Where bodies meet mind. Where space meets time. We like to be on one side, and look at the other.
When shooting in real spaces, the work of a cinematographer begins where location meets production design meets time of day. No movie light will ever look as real as the sun, so scheduling becomes truly paramount to naturalistic lighting.
I feel like, as a filmmaker, I'm at my strongest when I write the script and when it comes from me, out of whole cloth. My best work has always been self-generated.
Pride was a date night - the cool thing to do at the time - so people were dressed to the nines, and they got quite an experience, visually and otherwise. It was Cirque du Soleil meets the Super Bowl meets WrestleMania meets your favorite rock n' roll concert.
Honestly, I got the best of both worlds: groove of New Orleans meets the intensity of Texas. That's the best education I could have, the best experiences I could have.
The more opposition there is, the better. Does a river acquire velocity unless there is resistance? The newer and better a thing is, the more opposition I will meet with at the outset. It is opposition which foretells success. Where there is no opposition there is no success either.
I don't really push myself upon people. I don't have that. When it meets and things fall in line, it's meant to happen. It's happened that way. I just try to do my best and do my work, and then it falls in line.
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