I am playing the character of Sanjana in 'Race 3' and it is very a dark character in the initial phase of the film but towards the end, it gets transformed into a positive character.
I am a fan of dark movies and dark complex characters, and I love to take on a character like that.
I just loved Jake The Snake because of that character and how he cut a promo. That dark nature of his character was amazing.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
What I want to do now is to play a dark character. I want a role that taps into my dark side and it will be a refreshing change for me after all the comic roles.
It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.
Internationally if you see, 'Narcos' and 'House of Cards' are all very dark shows with very dark characters. The audience may hate the character but they will love the actor.
I was generally pro-bat, except when I was trekking through the dark trying not to think about the dire fate of every horror movie character stupid enough to go into the dark with a flashlight and check the fuses.
In 'Out of the Dark,' I'm talking about my own life. I'm not talking as a character or speaking as a character. I was not as free as when I write fiction.
I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I really want to do a dark character. Not really a bad guy, but someone dark and mysterious. Where everyone says, 'Ooh, it has to be her!' and at the end you find out it isn't. Just someone who looks guilty.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
I love a big, character-rich story with a dark heart, with a compelling mystery or some kind of ticking clock at its center. I want to be lured in by prose, captured by character, and bound by stellar plotting to keep turning the pages.
Somehow we allow, if a character goes to the dark side, if we're hooked into that character - I'm obsessed with Peaky Blinders. Those characters are awful, and yet you root for them. You love them! Same with Breaking Bad. That's not as easy in a feature.