A Quote by Dwight Schultz
Has one hostage from Lebanon come back with a photograph of his abductors? Has any hostage ever come back with a photograph of his abductors smiling? I mean, this was so incredible!
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I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by.
A photograph is a moment when you press the button. It will never come back.
A photograph is a moment - when you press the button, it will never come back.
Come in, Bean. Come in Julian Delphiki, longed-for child of good and loving parents. Come in, kidnapped child, hostage of fate. Come and talk to the Fates, who are playing such clever little games with your life.
The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.
I don't really remember the day when I stood behind my camera with Henry Kissinger on the other side. I am sure he doesn't remember it either. But this photograph is here now to prove that no amount of kindness on my part could make this photograph mean exactly what he.. or even I.. wanted it to mean. It's a reminder of the wonder and terror that is a photograph.
Average Jones had come by his nickname inevitably. His parents had foredoomed him to it when they furnished him with the initials A. V. R. E. as preface to his birthright of J for Jones. His character apparently justified the chance concomitance. He was, so to speak, a composite photograph of any thousand well-conditioned, clean-living Americans between the ages of twenty-five and thirty.
Wraith shoved his hands in his jeans' pockets. "How long before we consider you overdue and mount a rescue party?" "Never." Reaver shrugged into his shirt. "If I don't come back, it is because I'm either dead or in a situation that's too dangerous to get me out of." "Oh," Sin said brightly-and sarcastically. "You mean like the situation Harvester is in." Seminus demons were annoying no matter what gender. "Yes. Like that." She punched him lightly in the shoulder. "Good. Glad we're clear. Try to come back soon or we'll come after you.
Our editors, I'm afraid, have come to believe that the photograph is an end in itself. They've forgotten that the photograph is only the subsidiary, the little brother, of the word.
I will talk about Baker Mayfield. I like everything about his makeup. I like how his teammates really rally behind him. I like his eyes downfield. I like his accuracy with his deep throws. I like how he shows that fighter's spirit; when it comes time to come back, he's fighting through to come back, and I applaud those things.
If we come to sleep we are His drowsy ones And if we come to wake we are in His hands If we come to weeping we are His cloud full of raindrops And if we come to laughing we are His lightning in that moment If we come to anger and battle it is the reflection of His wrath And if we come to peace and pardon it is the reflection of His love Who are we in this complicated world?
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
The photograph is a tool used to take you back to a certain point in one's life, to remember a face or a place you once stood. I feel there is always something quite melancholic about a photograph.
I walk in the park every day, and when people come and ask for a photograph, I say, "Oh, my God!" It means they recognize that I have been doing something right and they want to have a photograph taken with me.
Did you ever notice they never take any fat hostages? You never see a guy coming out of Lebanon going: "I was held hostage for seven months and I lost 175 pounds, I feel good and I look good and I learned self-discipline. That's the important thing."
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