A Quote by Dwight Schultz
The Roswell incident, for instance, had over three hundred witnesses - some describing the bodies, some the craft, some the military procedures. Were they all perpetuating their own lives in a myth?
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I've talked with people of stature-of military and government credentials and position-and heard their stories, and their desire to tell their stories openly to the public. And that got my attention very, very rapidly.... The first hand experiences of these credible witnesses that, now in advanced years are anxious to tell their story, we can't deny that, and the evidence points to the fact that Roswell was a real incident, and that indeed an alien craft did crash, and that material was recovered from that crash site.
There are more than 100 first- and second- hand witnesses to the retrieval of an extraterrestrial spacecraft and at least four extraterrestrial bodies from a crash which occurred in July, 1947, 75 miles northwest of Roswell, New Mexico; written and videotaped testimony from several first-hand witnesses who are respected military officers have been obtained.
It's easy to think that craft can't change but important to remember that all craft process was at some point new, at some point challenged convention - not to be contrary, but enabled by some breakthrough, some newly discovered principle, or sometimes some wonderful accident.
Some glory in their birth , some in their skill , Some in their wealth , some in their bodies' force , Some in their garments, though new-fangled ill; Some in their hawks and hounds , some in their horse ; And every humor hath his adjunct pleasure , Wherein it finds a joy above the rest .
Religion kept some of my relatives alive, because it was all they had. If they hadn't had some hope of heaven, some companionship in Jesus, they probably would have committed suicide, their lives were so hellish.
I've done quite a few gigs for the military. Some of them had to be kept under the wire. I'm a three year Army veteran myself, and I'm always available to do stuff like that. I've even done some things for the British military, too.
There is some awe mixed with the joy of our surprise, when this poet, who lived in some past world, two or three hundred years ago, says that which lies close to my own soul, that which I also had wellnigh thought and said.
Some of my ancestors were religious dissenters who came to America over three hundred years ago. Others were abolitionists in New England in the eighteen forties and fifties.
He who lives to see two or three generations is like a man who sits some time in the conjurer's booth at a fair, and witnesses the performance twice or thrice in succession. The tricks were meant to be seen only once; and when they are no longer a novelty and cease to deceive, their effect is gone.
As a kid, I was a paperboy, and the walls of the place where we picked up our papers were plastered with pictures of former paperboys - some sports figures, some presidents, some military officers.
Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another atfifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.
There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
In some ways, I had a traditional 'old South' upbringing, meaning that I spent some time in a military school, and acquired an inoculum of the military ethic that is still with me today: honor, duty, loyalty.
To-day there is hardly a woman of intelligence in all America ... who is not definitely and actively concerned in some social interest, who does not recognize some duty besides those incident to her own blood relationship.
There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.
In those days, we imagined ourselves as being kept in some kind of holding pen, waiting to be released into our lives. And when the moment came, our lives -- and time itself -- would speed up. How were we to know that our lives had in any case begun, that some advantage had already been gained, some damage already inflicted? Also, that our release would only be into a larger holding pen, whose boundaries would be at first undiscernible.
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