A Quote by Dwight Yoakam
The actual work of recording a record or making a film just requires that you consciously block the time out to do that and nothing else. That's what I do.
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People say, "How do you get into the British film industry?" There is no British film industry, there are just people making films and finding their own way. It's not like in the States where there are studios and there's an actual infrastructure to it; there's just nothing here. You make it from scratch a lot of the time.
Writing for film is so different; it's such an act of submission, both on a monetary and time level, because you basically kind of have to just set everything else aside - it's like suddenly getting a temp job that requires you to work 16-hour days. Also just aesthetically, you have to completely leave all of your ego out of it.
Growing up, I was trying to make it in music. I was grinding, which is just what I loved doing. I didn't have nothing else to do. In my spare time, I'd record myself. Find a beat, pulling em up. Just making something and creating for me.
Part of it is, I think, just to let people know you've got a record out there and that you're still alive requires more work than it used to, because the traditional radio, bug chains of record stores, all of that, that doesn't exist anymore.
This 'Pighammer' record is supposed to be a side project. And it just so happens that at the same time I'm recording this record, our contract was up with Warner Bros., so it's time for Static-X to re-sign.
The act of recording requires you to look at and handle and touch things, so yes - art is more than just looking and recording. It's messy and time consuming and people might fall in love and get hurt.
I always to try block everything out, good or bad. I always hope to keep receiving blessings, to have faith, because you know, there's a time to block everything out and just work on your craft, work on everything that you desire to get, desire to want.
The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.
You have to keep the recording process open. If you make too many decisions before you go in, you can lose out on those serendipitous moments that can really make a record, that I think are always required in the making of a really good record.
Everything requires time. It is the only truly universal condition. All work takes place in time and uses up time. Yet most people take for granted this unique, irreplaceable, and necessary resource. Nothing else, perhaps, distinguishes effective executives as much as their tender loving care of time.
I know for a fact that if I could do only music, I'd be out of my mind, insane. I'd be stressed-out; there's so much work. I mean, you work constantly; there are no breaks, really. If you're not promoting a record, you're making one. If you're not making one, you're touring. If you're not touring, you're doing photo shoots and prep work.
My favorite record of all time is Tom Petty's 'Wildflowers.' I hold it as the standard - in terms of sonics, sequencing, and songs. It shows that making a complete record is important, rather than just making a single.
I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.
Recording a song for a film doesn't take much time; it's hardly an hour's job, but concerts are constant, and so is travelling, so I've to take time out to work on my albums because I'm passionate about creating my own music. When you love something dearly, you set your priorities accordingly.
A development deal is where they're giving you recording time and money to record, but not promising that they'll put an album out.
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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