A Quote by Dwyane Wade
When people see you on the screen, you become bigger than life.
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These young people need to see that there's something bigger out there than what they're looking at everyday or seeing in the news or on social media. They need men and women to come into their lives who will give them a bigger vision of the world, of life, of opportunity, of what they can become rather than what they think they are limited to you.
The people I worked with were bigger than life. Once you put them on the screen, they were huge.
Stripping away artifice - it's the constant standard I aim for in acting, to approximate life. People talk about being bigger than life - but there's nothing bigger than life.
I can see that cinema seems to be finished. Everybody has a bigger screen at home. I'm assuming eventually you won't need a screen at all - these iPhones will just project.
In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
I used to be one of those students who needed to see something bigger, and God brought people into my life who gave me a bigger vision than the circumstances that surrounded me.
When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.
I'm way bigger than people think I am. I'm way bigger. I've been underrated all my life, and that's fine. I have privacy. I can walk the street without being hassled. I can be a regular guy. The price to give that up is so horrible. When you become a part of the hysteria - it's not completely in my hands - you have to hide.
For me, it is especially important to maintain my interior life. My spirituality, my connectedness. That is the way I think. That is the way I deal with life and tough moments. I keep in touch with something bigger than me. And I connect with people who have an interior life - a connection with something bigger than them.
It's a life issue more than anything when you're dealing with racism anywhere... It's a life issue - bigger than sports, bigger than football.
I believe the audience likes to see well-defined characters on screen than just larger-than-life heroes.
In 1491 the Inka ruled the greatest empire on earth. Bigger than Ming Dynasty China, bigger than Ivan the Great’s expanding Russia, bigger than Songhay in the Sahel or powerful Great Zimbabwe in the West Africa tablelands, bigger than the cresting Ottoman Empire, bigger than the Triple Alliance (as the Aztec empire is more precisely known), bigger by far than any European state, the Inka dominion extended over a staggering thirty-two degrees of latitude—as if a single power held sway from St. Petersburg to Cairo.
People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.
It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.
We see what music can do for people. Hell, we see what music does for us! When you see thousands of people out in front of you, it's fixing their lives. It's helping. It's healing. It's bigger than the inconvenience of jealousy or emotional storm clouds.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
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