A Quote by Dylan McDermott

To me Polanski is one of the greats in terms of psychological horror. It's just hard to top him because he's so damn good at it. — © Dylan McDermott
To me Polanski is one of the greats in terms of psychological horror. It's just hard to top him because he's so damn good at it.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
I do like sci-fi, and I do like horror - those are my favorite genres. Good horror, though, not like slasher horror... psychological horror like 'The Shining' - really good stuff!
'Venus in Fur' is very Polanski: you have the knife of 'Rosemary's Baby'; you have Thomas disguised as a woman as in 'The Tenant,' when Vanda puts makeup on him, it's like 'Cul de Sac'; the dress of Tess and other details that are very Polanski. He fell in love with the play because it was so much him.
I would be really excellent in a horror film because I have a great scream. I'd be really good in a comedy too. I'm top, top, top quality.
I love horror movies. It's so fun being absolutely terrified. It's damn hard to shoot, though. I didn't realize how difficult it was to make a horror movie as an actor. Physically and mentally, phew.
I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.
The happy people are failures because they are on such good terms with themselves they don't give a damn.
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
It's all right with me if Roman Polanski is freed by the Swiss authorities who have detained him at the request of the United States - if first I get a chance to bust him one in the mouth.
'Ravenswood' is horror. It's not slasher, but it's psychological and spiritual horror.
To win the belt from Bisping, the hardest problem for me would be to train hard for him because he stinks. I'm just kidding, he's really good... No, I'm lying.
I'm in no rush to be the one of the greats. I am one of the greats. I consider myself to be one of the greats of my division.
Paul Furlong is my vintage Rolls Royce and he cost me nothing. We polish him, look after him, and I have him fine tuned by my mechanics. We take good care of him because we have to drive him every day, not just save him for weddings.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
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