A Quote by Dylan McDermott

I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
Cecil Beaton was Andy Warhol before Andy Warhol, really.
That is what [Andy] Warhol portraits do: They elevate the subject into an icon of the pop culture he was documenting.
The people of Pittsburgh should have a weekend flea market at the Warhol. Andy would have loved that kind of stuff.
Andy Warhol is the only genius I've ever known with an I.Q. of 60.
Andy Warhol is the only genius I've ever known with an IQ of 60.
I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
Luckily Ryan Murphy has a great track record of really having his finger on the pulse of pop culture in a way that very few people do. And he is able to work things into stories in a ridiculously timely way - sometimes, before anybody else thinks it's going to be a thing, he is able to create these moments on television. I was thrilled to get to work with him, and I knew he would be able to tell that story with that same energy.
I think his portraits of Jackie, Liz, Marilyn, Mao, Elvis, Lenin - and objects like the soup cans, the dollar signs, the hammer and sickle, it's all about icons. Its all about what people worship in an irreligious or secular world. In terms of Andy's personality and Andy Warhol as a human being who I was very close to, I still feel kind of sorry for him on a personal level. I mean, he was the ultimate example of great success wrapped around inner turmoil and emotional pain.
It's a magpie aesthetic: If something is hideous, that's interesting. It's kind of the same sensibility that Andy Warhol had. He was interested in everything and soaked up what he saw like a sponge.
One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.
I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell's soup label.
Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go.
Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.
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