A Quote by Dylan Moran
Children are the most honest critics. They will say "You're funny", but also "You're pathetic - go away."
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Children are the most honest critics. They will say 'You're funny', but also 'You're pathetic - go away.'
You have to appreciate the finer points of your work; criticise, too, if needed. I am also my own worst and most honest critic. I can say things which nobody will ever dare say. Even the best of friends will stop at a point, whereas I can go beyond.
I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it.
He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.
I believe that I will be the WWE World Champion one day. I know that a lot of people say that; it's easy to say. If I were to go away without accomplishing that task, I would feel unfulfilled, to be completely honest.
When you meet a head of state, and you say, 'What is your most precious natural resource?' they will not say children at first, and then when you say, 'children,' they will pretty quickly agree with you.
It is one of the paradoxes of parenting, and often a painful paradox, that even as our children need us for love and trust, they also need us for honest differing. It's not only over limits and rules...[but also] about what we represent in the way of culture, traditions, and values. We owe it to our children to let them know what we believe, and if they differ with us, we owe it to them to be honest adversaries, for it is through this honest confrontation that children can grow into adults who have a firm sense of their place in the sequence of the generations.
My sons the same, hes terribly funny. Its a wonderful power to have. Its also fantastically disarming. Women find it unbelievably disarming. You can say the most astonishing things if youre funny. You can tell a woman that shes irresistibly attractive, but do it in such a funny way.
The most revolutionary thing anybody can do is to raise good, honest and generous children who will question the answers of people who say the answer is violence. That's what the schools should be doing.
From the writer's point of view, critics should be ignored, although it's hard not to do what they suggest. I think it's unfortunate to have critics for friends. Suppose you write something that stinks, what are they going to say in a review? Say it stinks? So if they're honest, they do, and if you were friends you're still friends, but the knowledge of your lousy writing and their articulate admission of it will be always something between the two of you, like the knowledge between a man and his wife of some shady adultery.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
With a few exceptions, the critics of children's books are remarkably lenient souls.... Most of us assume there is something goodin every child; the critics go from this to assume there is something good in every book written for a child. It is not a sound theory.
Our critics would love nothing more for us to go away and just be quiet. And we won't give them that satisfaction. We have young children that, one day, when they understand more of what's happened and what's transpired, we wanna be able to say to them, you know, we did our best. And we told the truth.
Critics? Don't talk to me of critics! You think some jackanapes journalist, his soul eaten away by the maggots of jealousy and failure, has anything worthwhile to say of art? I don't.
I think my work is optimistic - as much as it is pathetic and funny and sad and ridiculous, at the end of the day it's about the hope that something will go right, and the constant wishing for a world where things might start to make sense.
What has been happening more lately - of course, I also put in my bio, I say I do the voice of Goliath, but some people go - you know, I say something, and it's a funny thing when you work in this business, people will talk out loud in front of you like you're not there.
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