A Quote by Dylan Moran

I'm Irish, yeah, but I don't need to get up on a soapbox about it. — © Dylan Moran
I'm Irish, yeah, but I don't need to get up on a soapbox about it.
I'm really not big on nationalism, to be honest with you. I really don't think it gets people anywhere except near a pile of dead bodies. I'm Irish, yeah, but I don't need to get up on a soapbox about it.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
The wheelchair and the prosthesis give me a soapbox to stand on. If it helps me get my message across, I'm glad; then we need to talk about what we need to do for this country.
Wow you need to get some sun.” “Shut up. I'm Irish.
If you have a lot of fans, you have a powerful soapbox, but you still have to have something to say when you're on that soapbox if you want to make a real difference.
I think cinema should provoke thoughts, sure, but using it as I soapbox I think is the wrong place. I never want to be part of something like that, where there's an agenda there that's not about telling a story, where its someone getting on a soapbox and preaching their own beliefs onto somebody.
Learn what not to expect. Irish catholic they get sh**** little rings. Irish women get crappy rings. Baptist get the worst because they get the rings under water. When it comes up, it's garbage. Jewish, big rings. Episcopalian big rings. Italians-the best, because they get them off of dead people, and second wives get the biggest rings of all.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
I need what I'm thinking to come out into the world, even if it's a two-word approval, like, "Yeah, I agree," I need that approval so that in the morning I can get up and use that when I go to work. It's a weird version of focusing.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
Growing up, I was brought up around Irish music, Irish traditions.
I'm going to name drop like an idiot now, but Bono rang me up once, right? I don't know how he got my number, but I, ever so stupidly, and obviously thought it was one of my mates mocking about. So I was like, "Yeah, whatever." And it was him, but I even went to him, "That's not even a good Irish accent!"
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