A Quote by Dylan O'Brien
That's such a relevant thing, as an actor - committing and not being distracted by any kind of technical awareness, or whatever. You do have to block things out sometimes, and sometimes it's easier than others.
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Sometimes you can block out a lot of things because you're thinking about so much and you can distract yourself, but sometimes that distraction of being ADD can really set you back.
Certain Academy Awards like Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.
I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.
Sometimes a scene works and acting is the easiest thing in the world and you don't have to do much of anything - just enjoy yourself and listen to the other actor. When it doesn't work, then every actor has different ways of dealing with the impasse. Sometimes you use memories from the past. Whatever. It depends from job to job.
The one thing we can all relate to is family, and family has its traumas sometimes. Sometimes things don't go well for people. Sometimes things are tough. So everybody kind of knows someone who's been in this situation before, and I think that's what makes it work.
Sometimes the European and North American public like some things to be exotic and kept at arm's length. They don't want sometimes to know that foreign artists are doing something that's at least as relevant as what's being done here.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
The thing about being an actor is that every new job is a new challenge. Sometimes you'll have a shot, and it doesn't work. Sometimes it'll work better than you expected.
People say sometimes that I'm distracted. I'm not distracted. I'm being smart. I'm capitalizing while the iron is hot. That's why I'm trying to do movies. I do the podcast. I do a radio show. I work on FOX. I have a gym; I have a lot of things going on. That's because when I'm done, I want to be set up.
Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].
Sometimes in someone's gestures you can notice how a parent is somehow inhabiting that person without there being any awareness of that. Sometimes you can look at your hand and see your father.
Sometimes it's easier to understand things than it is to figure them out
Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.
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