A Quote by Dylan O'Brien

I'm excited to see what comes my way, see what I'm interested in next, and just see what happens. — © Dylan O'Brien
I'm excited to see what comes my way, see what I'm interested in next, and just see what happens.
It's difficult to plan this kind of career. You just need to wait and be picky and try not to commit to just one thing. I'll have to see what's next, see what happens, and see what the future brings.
The way I see it, if you want the rainbow, you gotta put up with the rain. When I'm inspired, I get excited because I can't wait to see what I'll come up with next. Find out who you are and do it on purpose.
As a coach, the more experience you have, the more you're around players, it helps so you see how guys learn, ways that are effective to reach different people. You see the aftermath of all the things that happened; you don't just see what happens at the game, you see what happens after the game, the followthrough, and those types of things.
Los Angles to me seems to be a little bit more forgiving. They're just as rowdy and they're just as excited but they understand a [botch] happens sometimes, and they're excited to see the show and they just want to have some fun.
That's the one thing I don't like hearing, when someone says, 'We'll see what happens, see what happens here, see what happens there.' Forget all of that.
I'm not just interested in the pictorial aspects of the landscape - see a pretty place and try to paint it - but in some way to manage it, manipulate it, or see what I can turn it into.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
I just see clothing as cloth, and I see it as art, and I see it as a way to express yourself artistically in this world.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
You see misery, you see misfortune, you see pain, you see suffering. It's all part of the fatalistic way of looking at life.
As an audience member, everyone I talk to is like, 'I'm so excited to see 'Super 8.' I'm so excited to see it.' And part of that is because of his drive to make sure that it stays hidden until the last minute.
I don't see things the way my parents do. They can look at a tree and see something amazing, whereas I just see a tree. That's not to say I don't appreciate its beauty. When I watch the sea in somewhere like Sardinia, I see the beauty in that.
You see layers as you look down. you see clouds towering up. You see their shadows on the sunlit plains, and you see a ship's wake in the Indian Ocean and brush fires in Africa and a lightning storm walking its way across Australia. You see the reds and the pinks of the Australian desert, and it's just like a stereoscopic view of all nature, except you're a hundred ninety miles up.
I don't have time to be going back and forth with nobody.' Even now, when I work, I'm excited to go home to see my son. If I'm working, I make sure I FaceTime so many times in the day just to see him. Anytime I get frustrated or stressed, I FaceTime my son and immediately I don't even know what stress is because I'm accepting my life. When I see him, I see me.
I was just a minion [in "X-Men: Apocalypse"]. They just told me what to do so I didn't really have much to do with it but I was curious to see how they were going to top it and if they could and I think they have. I'm very excited to see it myself.
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