A Quote by Dylan O'Brien

I haven't worked with a director who is a crazy person at all. — © Dylan O'Brien
I haven't worked with a director who is a crazy person at all.
I have hardly ever worked with the same director twice. But when you have worked with a director before, you understand his behavior.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
I'm seeing a guy now who has nothing to do with films. It's so much nicer with somebody who isn't an actor. Two crazy people in one house would be too much. It's better there's one crazy person, and one nice person who looks after that crazy person.
Kevin Gates is probably the smartest person I've ever worked with. He's cool, he's crazy, but he's genius.
Entrepreneurs are all a little crazy. There is a fine line between an entrepreneur and a crazy person. Crazy people see and feel things that others don't. An entrepreneur's dream is often a kind of madness, and it is almost as isolating. What differentiates the entrepreneur from the crazy person is that the former gets other people to believe in his vision.
It's interesting, because I've worked with people who are just not nice people, and I've worked with people who are crazy, and the difference is: crazy is much worse.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
I like talking to a person who is crazy in a fun, eccentric way. I don't want to talk to a legitimate crazy person, because that's not nice.
Of all the projects I've worked on, I've never worked with another director like Billy Friedkin. I think he's a genius.
The biggest challenges are always getting into the rooms that you need to get into and having people open to the types of stories that I want to tell. And I feel that just being a female director and doing that is a big deal in this country. On my third movie I worked with a French DP. I asked him has he ever worked with a woman director before? He said in France a third of directors are women; so you can’t avoid them. So I realized that the US is behind.
When I worked as an assistant director in 2007, Indraganti Mohan Krishna offered me a lead role. Now, the same director has made me a villain in 'Gentleman.'
The worst thing to call somebody is crazy. It's dismissive. "I don't understand this person. So they're crazy." That's bullshit. These people are not crazy. They strong people. Maybe their environment is a little sick.
I've never had any problem with crazy people. I like crazy people; I probably am a crazy person myself.
The only person who has artistic control is the director, and 'director' is how you spell God in Hollywood.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
She smiled darkly and shook her head. 'I'm not crazy. I'm not. Of course what else would a crazy person claim? That's the Kafkaesque genius of it all. If you're not crazy but people have told the world you are, then all your protests to the contrary just underscore their point. Do you see what I'm saying?
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