A Quote by Dylan O'Brien

In 'Teen Wolf,' I don't really have any stunts. And if I do, it's like Stiles falls on the ground or something like that. — © Dylan O'Brien
In 'Teen Wolf,' I don't really have any stunts. And if I do, it's like Stiles falls on the ground or something like that.
The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.
People still come up to me and say, 'Hey, 'Teen Wolf!' 'Teen Wolf Too' closed a week after it opened. Where did they see it?
When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.
I think the fans from the original 'Teen Wolf' tuned in expecting us to ruin the franchise, and I think that we've only heightened it. So we've brought 'Teen Wolf' back.
I'm still good friends with everybody from 'Teen Wolf.' I still see them, and I go to Jeff Davis' for 'Teen Wolf' night when I can. It was such a rewarding experience. That's such a fun set.
In '7th Heaven,' more than 'Teen Wolf,' was that I got to learn more about my character. In 'Teen Wolf,' I'd always get a new arc for that character every season, which was discovery for me.
I got the acting bug really young, when I was around, like, 10. I pretty much just wanted to be Michael J. Fox. He was in 'Teen Wolf' - that was, like, the coolest role, and then he did 'Back to the Future,' and that was the coolest role.
'Teen Wolf' ending is, like, huge. I know no acting without the show, basically.
Something I love about 'Teen Wolf' is that my character is written in as just a normal girl. She could have been any ethnicity; she doesn't have to be Asian.
Every season of 'Teen Wolf' was really cool and exciting and unique, but there was just something about the first season story-wise that was, I think, the coolest.
I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.
I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.
Something happened to me and I became really successful at something at a young age, and that stunts you in every other aspect of your life because you feel like that's what you're good at and so that's what you need to stay in.
I hope that's how it is on every set - or that Teen Wolf goes on forever! Our cast is so honest with each other. There's no drama. There's no judgment. We just click. It's like a family.
When I was 13, I moved to Los Angeles to pursue television and film roles. I booked shows like 'The Secret Life of the American Teenager,' 'Liv and Maddie,' and 'Teen Wolf.'
I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.
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