A Quote by Dylan O'Brien

As an actor, you blindly put your trust in experts - and if they tell you something's safe, you don't fully vet it yourself. If you're young and inexperienced, that's just what you're taught to do.
I used to trust people easily, but now I'm a little careful because some experiences have taught me to not trust anyone blindly.
Most of what we know we don't really know first hand. I've never seen a cancer cell. But I trust this community of experts who have, so I believe that cancer exists. But we trust these experts, and we trust that the experts have a system of checks and balances and self-correction. And we have to insist that experts have certain certifications. They're not perfect. Every once in awhile there's an engine falls off the wing of a plane, or a tax audit happens and you find out your expert made a mistake. But it's a pretty good system. It's the best system we've got.
Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.
I think part of what makes someone a great actor is being able to walk into a situation emotionally available and open, and have all your guards down, and just have that level of trust and security in yourself to know that you could walk out on that limb with someone else and be safe.
For ice skating, you really have to block out your fears and throw yourself into it - there must be trust in your partner and a trust that you will be safe.
Trust yourself. At the root, at the core, there is pure sanity, pure openness. Don’t trust what you have been taught, what you think, what you believe, what you hope. Deeper than that, trust the silence of your being.
If you've witnessed bullying or if you're being bullied, tell somebody you trust. Tell mom and dad. Tell your counselors or your coaches. Tell your teachers. Tell an adult who you trust.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
It's a tiny revolution to express yourself fully and be who you want to be, especially when systems tell you that you can't. I've realized how powerful it is for me to just discuss issues with young people and begin conversations.
You have to put your ego aside as an actor. Or you're using your ego to tell the story. Your body is a part of a tool to tell the story. So if you feel something, it's wrong. It means you're not inside of the character.
It's such a luxury as an actor to think of your career as something you're choosing for yourself, because so much of the time as an actor you're just hoping that exciting projects come your way.
I can't tell you how many times I've been with very smart, knowledgeable Homeland Security experts who are essentially tasked with saving your life who do not trust you with information. They just don't. They kind of dismiss the media and the public in one fell swoop.
I was trained as an actor and taught to believe at a very young age that I could be anything and do anything, and then you find yourself painted into a corner by your own image or persona.
The thing I try to tell people who are just starting in the business is to listen to yourself, trust yourself, and be kind to yourself. And do the work to cultivate who you are and what your point of view is. Don't try to be like anybody else. That's what will make you an interesting artist.
When I was a young girl, I was so crazy about animals that I wanted to do something associated with them, and I thought of being a vet. But then again, I figured I had to go to medical school, and science wasn't a good subject for me, so I dropped the idea pretty soon and thought maybe I could be a vet's assistant.
This site uses cookies to ensure you get the best experience. More info...
Got it!