A Quote by Dylan Thomas

It is spring, moonless night in the small town, starless and bible-black, the cobbledstreets silent and the hunched courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.
To begin at the beginning: It is a spring moonless night in the small town, starless and bible-black.
The painting was framed in a misty view of sky, sea, and valley. Newt's painting was small, black, and warty. It consisted of scratches made in a black, gummy impasto. The scratches formed a sort of spider's web, and I wondered if they might not be the sticky nets of human futility hung up on a moonless night to dry.
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
Then black despair, The shadow of a starless night, was thrown Over the world in which I moved alone.
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
Nothing beats a haunted moonlit night on All Hallows Eve.... And on this fatal night, at this witching time, the starless sky laments black and unmoving. The somber hues of an ominous, dark forest are suddenly illuminated under the emerging face of the full moon.
The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?
A silent dark...as black as a moonless lake, as a ravine's wings, darkness there and nothing more, merely this and nothing more.
Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale. Light thickens, and the crow Makes wing to th' rooky wood. Good things of day begin to droop and drowse, While night's black agents to their prey do rouse.
It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.
I grew up in Bulgaria in a small city on the Black Sea Coast, so I was very interested in the sea, marine life, and everything related to it. But it was also a very dark place at night, so I could see the stars. And I just got very interested in it.
Though sands be black and bitter black the sea, Night lie before me and behind me night, And God within far Heaven refuse to light The consolation of the dawn for me,-- Between the shadowy burns of Heaven and Hell, It is enough love leaves my soul to dwell With memory.
The summer night was starless and stirless, with distant spasms of silent lightning.
Even so We find the sea of sorrow. Black as night The sullen surface meets our frightened gaze, As down we sink to darkness and despair.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
I would rather that we all should go to eternal chaos, to black and starless night, than that just one soul should suffer eternal agony.
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