A Quote by Dylan Thomas
[I'm]a freak user of words, not a poet.
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I'm a political poet - let us say a 'human' poet, a poet that's concerned with the plight of people who suffer. If words can be of assistance, then that's what I'm going to use.
Tribalism isn't a bad thing. If you're a Facebook user, or Twitter user or Foursquare user or LinkedIn user, those are all tribes... and they may even have sub-tribes. It's not pejorative, it's declarative.
Software suppliers are trying to make their software packages more 'user-friendly'... Their best approach so far has been to take all the old brochures and stamp the words 'user-friendly' on the cover.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Poetry is the renewal of words, setting them free, and that's what a poet is doing: loosening the words.
A poet's words are of things that do not exist without the words.
People who bet against the Internet, who think that somehow this change is just a generational shift, miss that it is a fundamental reorganizing of the power of the end user. The Internet brings tremendous tools to the end user, and that end user is going to use them.
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak, and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot.
The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.
Theres a bunch of Elvis Costello records that made all the difference between feeling like a total freak and feeling like ... only a freak. A freak among other freaks
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot. To be the outsider is actually a great thing in England. I don't know - I'm not American. But I think the majority of American teenagers don't want to be the freak.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.
I am no poet. I do not love words for the sake of words. I love words for what they can accomplish. Similarly, I am no arithmetician. Numbers that speak only of numbers are of little interest to me.
We could think or feel as we wished toward the characters, or as the poet, discounting history, invited us to; we were the poet's guest, his world was his own kingdom, reached, as one of the poems told us, through the 'Ring of Words.
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