A Quote by Dylan Thomas
A horrid alcoholic explosion scatters all my good intentions like bits of limbs and clothes over the doorsteps and into the saloon bars of the tawdriest pubs.
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If you decide on having an alcoholic at your party, make sure it's a large gathering. This way, until the alcoholic begins removing their clothes or dangling the cat out the window, they can sort of blend in. An alcoholic at a small gathering is called an intervention.
A lot of pubs in London are now faceless, expensive yuppy bars. Not like when I was growing up. The pub used to be, and should be, the pillar of community.
The bronze dwarfs give you the first clue that Wroclaw is no ordinary city. They lurk all over the place, carousing outside pubs, snoring at the doors of hotels, peeking out from behind the bars of the old city jail.
I don't like talking about which bits I like or don't like about my body. Everybody has something they're not happy with, and my only advice would be, 'Do something about it - exercise or eat less, but don't do nothing!' Find ways to enhance the good bits and camouflage the bad bits.
If I had to choose between putting a saloon or a liberal church on a corner, I'd choose the saloon every time. People who drink up the pay check in the saloon are less likely to become Pharisees, thinking that they don't need the Great Physician, than those who weekly swill the soporific doctrine of man's goodness.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
When we're good, we're very, very good, and when we're bad, we're horrid. This is not news, because we're so much more inventive and we have two hands, the left and the right. That is how we think. It's all over our literature, and it's all over the way we arrange archetypes, the good version, the bad version, the god, the devil, the Abel, the Cain, you name it. We arrange things in pairs like that because we know about ourselves.
I used to attend scientific experiments when I was a girl at school. They invariably ended in an explosion. If Mr. Jennings will be so very kind, I should like to be warned of the explosion this time. With a view to getting it over, if possible, before I go to bed.
Nothing can be more shocking and horrid than one of our kitchens sprinkled with blood, and abounding with the cries of expiring victims or with the limbs of dead animals scattered or hung up here and there.
His vision, from the constantly passing bars, has grown so weary that it cannot hold anything else. It seems to him there are a thousand bars, and behind the bars, no world. As he paces in cramped circles, over and over, the movement of his powerful soft strides is like a ritual dance around a center in which a mighty will stands paralyzed. Only at times, the curtain of the pupils lifts, quietly. An image enters in, rushes down through the tense, arrested muscles, plunges into the heart and is gone.
I used to wear these big shapeless clothes and ended up just looking like a potato in a sack. I've learnt now to accentuate the bits that I'm happiest with. That's probably my waist - a lot of my clothes go in at the waist and emphasise my hips, which I'm very proud of.
I love clothes. I can't control myself. I have a huge fetish for shoes and clothes and make-up. I'm the kind of person who doesn't like to wear things over and over again.
Imagine a school-boy who has outgrown his clothes. Imagine the repairs made on the vestments where the enlarged frame had burst the narrow limits of its inclosure. Imagine the additions made where the projecting limbs had fairly and far emerged beyond the confines of the garment. Imagine the boy still growing, and the clothes, mended all over, now more than ever in want of mending - such is chemistry, and such its nomenclature.
I started an all-girl band called Helen when I was 15. It wasn't a precocious thing to do - everyone we knew was in a band, and all the bars and pubs in Leeds put on nights.
Night buses serve not only the leisure economy- pubs, bars, clubs, theatres and concerts- but also hundreds of thousands of night workers.
God scatters beauty as he scatters flowers O'er the wide earth, and tells us all are ours. A hundred lights in every temple burn, And at each shrine I bend my knee in turn.
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