A Quote by Dylan Walsh
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
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I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.
I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.
When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work.
If you find a TV series that you like, you like the tone of the TV series or the movie.
I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
I'm a workaholic. I love every movie I've been in, even the bad ones, every TV series, every play, because I love to work. It's what keeps me going.
Catterick' was originally a movie. That was what we intended for it and we had the money for it and everything. But we couldn't be bothered - I know that sounds terrible, but it's the truth. At a later stage we went back, split it up and made it into the TV series. But, yeah that was supposed to be a movie and we just didn't bother.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I always designed 'Gravity Falls' to be a finite series about one epic summer-a series with a beginning, middle, and end.
TV is the only thing that's really alive, because it's happening as you go. You don't know the end, so another day brings a new life to it. Unlike a play, unlike a movie, where you know the beginning, middle, and end.
I don't usually watch a lot of TV, but Mad Men changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
I don't usually watch a lot of TV, but 'Mad Men' changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
Typically on a TV series, the writers on a show are writing for their life almost every episode. When someone sits down to write a Netflix show, they know there's going to be a 13th hour.
Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.
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