A Quote by E. B. White
I have always felt that the first duty of a writer was to ascend - to make flights, carrying others along if you can manage it. To do this takes courage, even a certain conceit.
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It takes a certain courage and a certain greatness even to be truly base.
And I definitely wanted to be a writer, but I felt a duty now, having used up those educational resources, I felt a duty to the church and my parents to become a priest.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
It takes courage to have a conscience when you seem to see others getting something tangible out of not bothering to struggle with the morality of a situation. It gets frustrating and demoralizing. This is precisely where character comes in. All throughout history special people have felt compelled to do what they objectively saw as right and good - even in the face of humiliation or rejection or expulsion or torture or death. That is because they believed that certain ideas were more important than individual well-being.
Even as the leader of the party, my first duty always is to the people who elected me, my first duty always is going to be to represent the people of this riding in Ottawa.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't mean to.
We humans have a powerful instinct to flee from peril. It takes a special kind of courage, a deep sense of duty, and extraordinary character to overcome these impulses and - for the sake of others - to run toward the danger.
Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live; he observes.
Conceit and confidence are both of them cheats; the first always imposes on itself, the second frequently deceives others too.
Being a writer is a very difficult craft. Just like learning an instrument, it takes a long time and I couldn't really say I was a writer even after my first memoir.
When somebody who makes movies for a living - either as an actor, writer, producer or director - lives to be a certain age, you have to admire them. It is an act of courage to make a film - a courage for which you are not prepared in the rest of life. It is very hard and very destructive. But we do it because we love it.
I believe that God is carrying us whether we know it or not and is always present. I've always wanted my life and my work to be something that was letting my soul participate with the souls of others. I have really felt that process (with) this picture.
I've been pushed down many flights of stairs in my time, but I always manage to find an elevator
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
First, let us be Gods, and then help others to be Gods. "Be and make." Let this be our motto. Say not man is a sinner. Tell him that he is a God. Even if there were a devil, it would be our duty to remember God always, and not the devil.
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