A Quote by E. B. White
Sometimes a writer, like an acrobat, must try a trick that is too much for him.
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I love my dad, although I'm definitely critical of him sometimes, like when his pants are too tight. But I love him so much and I try to be really supportive of him.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
I started shooting when I was much too far away. That was merely a trick of mine. I did not mean so much as to hit him as to frighten him, and I succeeded in catching him. He began flying curves and this enabled me to draw near.
The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he's been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?
Sometimes when you've only got a few snaps, guys try to do too much and try to make too much happen.
Sometimes I'll even have a dream of the trick I want to do, and I'll land it perfectly. And then I know. I'm like, 'OK, I'm ready. I want to do this trick.' But it takes so much courage.
An actress friend of mine shared a great trick. She told me to stick my tongue behind my teeth when I smile to keep from over-smiling. If you smile without doing it, sometimes your gums show a little too much. It's an actor's trick!
I try not to be too precious about my writing, and I try to be willing to walk away from it for a few hours when something's not working, to let things percolate a bit. I try not to hide myself away from life too much, because I think that's a risky thing for a writer to do.
It’s interesting how people try to redefine God to their liking. They bring him down to their level so they can understand him, then they reject him because he is too much like them.
I just try to show up and be relaxed and present and honest. And that's my only trick. And sometimes it works, and sometimes it doesn't. Honestly, sometimes it really doesn't work.
The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I don't believe in Chap Stick, I'm going to say that right now. Carmex can sometimes feel like too much of an attack. It's just too much sometimes.
I live in Virginia alone, and sometimes there's too much time to think. So you turn on the TV, but sometimes that don't do, so you turn the music on, and sometimes that don't do, and so you try and write a song, and sometimes that don't do... So you just take it as it comes.
I don't really pay too much attention to designers, I know what I like and I just try to find it, and I always try to find a cheaper deal because I have a tendency to be a cheapskate sometimes.
The man who comes to writing late, but is in essence a writer, may sometimes gain as much as he has lost: his experience of life has given him a subject, he is spared the youthful writer's self-torment and soul-searching.
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