A Quote by e. e. cummings

a connotation of infinity sharpens the temporal splendor of this night when souls which have forgot frivolity in lowliness,noting the fatal flight of worlds whereto this earth’s a hurled dream down eager avenues of lifelessness consider for how much themselves shall gleam, in the poised radiance of perpetualness. When what’s in velvet beyond doomed thought is like a woman amorous to be known; and man,whose here is alway worse than naught, feels the tremendous yonder for his own— on such a night the sea through her blind miles of crumbling silence seriously smiles
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
The kingdom of man over nature, which cometh not with observation,--a dominion such as now is beyond his dream of God,--he shall enter without more wonder than the blind man feels who is gradually restored to perfect sight.
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
See yonder another King's garden, which the King waters with his bloody sweat-Gethsemane, whose bitter herbs are sweeter far to renewed souls than even Eden's luscious fruits. There the mischief of the serpent in the first garden was undone: there the curse was lifted from earth, and borne by the woman's promised seed.
I cannot be known Better than you know me Your eyes in which we sleep We together Have made for my man’s gleam A better fate than for the common nights Your eyes in which I travel Have given to signs along the roads A meaning alien to the earth In your eyes who reveal to us Our endless solitude Are no longer what they thought themselves to be You cannot be known Better than I know you.
She wore blue velvet Bluer than velvet was the night Softer than satin was the light From the stars She wore blue velvet Bluer than velvet were her eyes Warmer than May her tender sighs
To whatever world He carries our souls when they shall pass out of these imprisoning bodies, in those worlds these souls of ours shall find themselves part of the same great temple; for it belongs not to this earth alone.
Perhaps if Death is kind, and there can be returning, We will come back to earth some fragrant night, And take these lanes to find the sea, and bending Breathe the same honeysuckle, low and white. We will come down at night to these resounding beaches And the long gentle thunder of the sea, Here for a single hour in the wide starlight We shall be happy, for the dead are free.
Her silence was worth more to her than a thousand words.In that silence,she had peace and clarity.Except during the night,when her own jumbled thoughts would keep her awake.
When a man touches a woman's body, he is not just touching her body. It goes MUCH DEEPER than that for a woman. He is touching parts of her soul-parts as diverse as how she feels about being a grandmother some day, to what is her favorite ice cream, to how much she loves her pet, and to her opinion of how the current President is governing. The man wants a sexual encounter and love is far from his mind; she desires permanence, commitment, safety, and security.
It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized.
O, there is naught on earth worth being known but God and our own souls!
Years! Years, ye shall mix with me! Ye shall grow a part Of the laughing Sea; Of the moaning heart Of the glittered wave Of the sun-gleam's dart In the ocean-grave. Fair, cold, and faithless wert thou, my own! For that I love Thy heart of stone! From the heights above To the depths below, Where dread things move, There is naught can show A life so trustless! Proud be thy crown! Ruthless, like none, save the Sea, alone!
Between the dusk of a summer night And the dawn of a summer day, We caught at a mood as it passed in flight, And we bade it stoop and stay. And what with the dawn of night began With the dusk of day was done; For that is the way of woman and man, When a hazard has made them one. Arc upon arc, from shade to shine, The World went thundering free; And what was his errand but hers and mine - The lords of him, I and she? O, it's die we must, but it's live we can, And the marvel of earth and sun Is all for the joy of woman and man And the longing that makes them one.
Perhaps [transgression] is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity.
The world's great age begins anew, The golden years return, The earth doth like a snake renew Her winter weeds outworn; Heaven smiles, and faiths and empires gleam, Like wrecks of a dissolving dream.
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