A Quote by e. e. cummings
in a middle of a room stands a suicide sniffing a Paper rose smiling to a self "somewhere it is Spring and sometimes people are in real:imagine somewhere real flowers,but I can't imagine real flowers for if I could,they would somehow not Be real" (so he smiles smiling)"but I will not everywhere be real to you in a moment" The is blond with small hands "& everything is easier than I had guessed everything would be;even remembering the way who looked at whom first,anyhow dancing
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Anyhow
Be Real
Blond
Could
Dancing
Easier
Even
Everything
Everywhere
First
Flowers
Had
Hands
If I Could
Imagine
Looked
Middle
Moment
Paper
People
Real
Remembering
Room
Rose
Self
Small
Small Hands
Smiles
Smiling
Sniffing
Somehow
Sometimes
Somewhere
Spring
Stands
Suicide
Than
Way
Whom
Will
Would
Would Be
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Related Quotes
It is said that “there is a self,” but “non-self” too is taught. The buddhas also teach there is nothing which is “neither self nor non-self.” Everything is real, not real; both real and not real; neither not real nor real: this is the teaching of the Buddha.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
What we call imagination is actually the universal library of what's real. You couldn’t imagine it if it weren’t real somewhere, sometime.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
What I've learned over the years is it's so much better to surround yourself with real talent and hire real chefs. I learned more from the chefs I have working for me than you could ever imagine. There's nothing wrong with being able to create opportunities for people, and you don't have to do everything, take credit for everything, and have all the weight be on your shoulders.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.
The function of the actor is to make the audience imagine for the moment that real things are happening to real people.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
If you ask an actor what he'd prefer to act on, he'd probably say a tangible, real set, or even better, a real location out on a mountainside or by a river. It's just easier because you don't have to imagine anything.
A vase of flowers or greens will bring even a dull hotel room to life in the most delightful way. The small amount of trouble or expense involved is honestly repaid in real decorative effect. If you find cut flowers too extravagant, stick to the greens. Laurel, rhododendron leaves, huckleberry or pine will all last many days, even weeks.
Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
It just seemed fitting to have our own lounge with our own dance review that paid homage to where The Pussycat Dolls originated, ... So it wasn't just another nightclub. It was somewhere where people can go and see an old school show with real dancing and real performing and real singing. It's perfect for Vegas. It's got that whole cabaret, burlesque-inspired review of dancing, and the whole fishnets, and boas.
No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things
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