A Quote by e. e. cummings

Like the burlesque comedian, I am abnormally fond of that precision which creates movement. — © e. e. cummings
Like the burlesque comedian, I am abnormally fond of that precision which creates movement.
a poet is someone who is abnormally fond of that precision which creates movement. Which is to say the highest form of concentration possible: fascination; to report on the electrifying experience of being
Abnormally good or abnormally bad conditions do not last forever.
Feminism is a revolutionary movement which is different from the class struggle movement, the proletarian movement, but which is a movement which must be leftist. By that I mean at the extreme left, a movement working to overthrow the whole society.
I see myself as a comedian rather than a female comedian. I happen to be a woman, but I am a comedian by trade.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
You know what my earliest memories are? Going from one burlesque town to another. My father was in burlesque.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
The audience loves when the comedian talks to them. You're creating inside jokes, which creates a community.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque.
Behind the visible movement there is another movement, one which cannot be seen, which is very strong, on which the outer movement depends. If this inner movement were not so strong, the outer one would not have any action.
What is revolutionary today is that we're using precision-guided munitions. And instead of building individual weapons, we are building an industry and a philosophy, the culture of precision. You saw Desert Storm. Precision works.
Firstly, I am not a comedian. I have a sense of doing comedy but I am a character artist. If the character in the film is a comedy than I can portray it. But, I am not a comedian.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
I've been seesawing between not doing too much racial stuff - because I'd rather be known as the funny comedian than the funny Chinese comedian - but at the same time embracing my voice and who I am and what makes me unique, you know, which is the racial background.
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