A Quote by E. J. Hughes

I've found from years of trial that the only way I can work is to make sketches in pencil from Nature, purely as reference material for future use in the studio. — © E. J. Hughes
I've found from years of trial that the only way I can work is to make sketches in pencil from Nature, purely as reference material for future use in the studio.
The small figures that appear in my paintings are there only because they were there when I was working from nature on my preliminary sketches with pencil.
The most interesting studio work, and perhaps the most practicable, is painting from pencil sketches and notes... It ensures the elimination of all facts but those essential to the effect.
I don't believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky.
I am only a little pencil in the hand of our Lord. He may cut or sharpen the pencil. He may write or draw whatever and whenever he wants. If the writing or drawing is good, we do not honor the pencil or the material that is used, but rather the one who used it.
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
Humans are the only animals that try to dwell in the future. You don't have to purely live in the present situation without a plan, but the future plans you make can only be based on the aspects of the future that manifest within the present situation.
Once you get into the era of the printed book, it gets a little easier. After years and years, you make a serious survey of that literature, and then you make it more specific depending on what kind of case appears. I never set out to collect material on cheating at bowling, but I found out that after 20 years, I had a lot of material on cheating at bowling.
There is so much poetry, and yet nothing is more rare than a poetic work. This is what the masses make out of poetical sketches, studies, aphorisms, trends, ruins, and raw material.
There have been 15 or 16 screenplays over the years, including one by me, but none of them has gotten made because Paramount is a huge studio. The Dice Man is an anti-establishment cult novel and you don't normally make studio films from such dark comedy material.
I did voice work for many years before I started having success as an actress. It was mostly radio and television voiceover work, but I know my way around the studio. I know how to use the cappuccino machines and the headphones.
You know that fiction, prose rather, is possibly the roughest trade of all in writing. You do not have the reference, the old important reference. You have the sheet of blank paper, the pencil, and the obligation to invent truer than things can be true. You have to take what is not palpable and make it completely palpable and also have it seem normal and so that it can become a part of experience of the person who reads it.
For one that comes with a pencil to sketch or sing, a thousand come with an axe or rifle. What a coarse and imperfect use Indiansand hunters make of nature! No wonder that their race is so soon exterminated.
I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
Material goods consist of useful material things, and of all rights to hold, or use, or derive benefits from material things, or to receive them at a future time.
Photography started as a means of getting reference material for my paintings of nature subjects.
After a few years of intensive research, we found a way to use a pulsed laser directed into a nozzle to vaporize any material, allowing for the first time the atoms of any element in the periodic table to be produced cold in a supersonic beam.
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