A Quote by E. J. Hughes
My goal is to make all my paintings clear and realistic, even more understandable than a photograph.
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One day the photograph is going to become even more important than it is now.... But I am not particularly an advocate of the photograph.
the present Western civilization ... is dominated by the extravert viewpoint. There are plenty of reasons for this domination: extraverts are more vocal than introverts; they are more numerous, apparently in the ratio of three to one; and they are accessible and understandable, whereas the introverts are not readily understandable, even to each other, and are likely to be thoroughly incomprehensible to the extraverts.
Does getting closer to the subject make the photograph more intimate? I'm sure it takes more than that. What comes next? The face, the nude? That's what I'd love to do. Who would even let me do that?
In the case of 'Everything I Never Told You,' my goal was to make the experiences of a family that had always felt marginalised feel accessible and understandable even to people who'd never been in that situation.
The older I get, the more I believe in what I can't explain or understand, even more than the things that are explainable and understandable.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
Without organization and leadership toward a realistic goal, there is no chance of realizing more than a small percentage of your potential.
Pick a goal, make a realistic plan to reach that goal, work through each step of the plan, and repeat.
I will always find even the worst paintings that attempt some kind of representation better than the best invented paintings.
There is a clear goal and it isn't to make money. The goal is to desperately try to make the best products we can. We are not naive - if you trust it, people like it, they buy it and we make money. This is a consequence.
The goal of my shows, my interviews, my business, my philanthropy, all of it, whatever ventures I might pursue, would be to make clear that what unites us is ultimately far more redeeming and compelling than anything that separates me.
As the CG in motion capture made it look realistic, it put more of an onus on the game makers to make the dialogue they're saying more realistic. It doesn't matter what they say when they're 8-bits, but if they look almost photo-real, it matters. More and more, the games industry is realising that.
Money is a tool – it’s the means, not the end. Inspiration is the metric that dictates whether or not a project is a success. It’s more realistic than trying to aim for radio play, or trying to satisfy an AR, or the other gatekeepers on these platforms. I don’t even know how to create with those things in mind. But if you tell me the goal is to inspire? That makes my job a lot easier.
The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
I don't really remember the day when I stood behind my camera with Henry Kissinger on the other side. I am sure he doesn't remember it either. But this photograph is here now to prove that no amount of kindness on my part could make this photograph mean exactly what he.. or even I.. wanted it to mean. It's a reminder of the wonder and terror that is a photograph.
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