I paint landscapes, figuratives. I painted all my life. In fact, I started as a commercial artist.
The role of the artist is like that of an explorer and a teacher - a teacher of seeing. No one is more capable of conveying this enlightenment than the artist.
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
The price we sell things for is not important. What is important is we sell art that has to be replaced. You become good in art by doing art. The more you sell, the more you must produce.
Ads sell more than products. They sell values, they sell images. They sell concepts of love and sexuality, of success and perhaps most important, of normalcy. To a great extent, they tell us who we are and who we should be.
New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.
Don't be in denial. Police misconduct is nothing new, but the technology we have to capture it is. Nearly everyone is now equipped with a smartphone with a camera, so these incidents are more readily caught on film.
At first, I didn't want to do unicorns. The artist in me said no. Then I thought, 'Wait a minute: this is commercial art. Let's do what's going to sell.'
I am proud being an artist who takes risks, who would walk off a cliff artistically. I won't settle for commercial reasons.
Girls of 7, 8 or 9 years old are not emotionally or psychologically equipped to handle puberty.
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist
Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.
I think investment psychology is by far the more important element, followed by risk control, with the least important consideration being the question of where you buy and sell.
I have always felt that the Internet was a more important research tool for a writer than an artist.
All of us somehow felt that the next battleground was going to be culture. We all felt somehow that our culture had been stolen from us-by commercial forces, by advertising agencies, by TV broadcasters. It felt like we were no longer singing our songs and telling stories, and generating our culture from the bottom up, but now we were somehow being spoon-fed this commercial culture top down.