A Quote by E. J. Hughes
One of the things I like about our contract is that you have relieved me of a great deal of personal interviewing and corresponding, among other things, which allows me a lot more time for painting.
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There's a lot of responsibility involved in sharing a very personal story with a lot of people, and it's easier for others not to know about things - and I know that. But in terms of the general climate, socially, these are things people have to deal with on a daily basis. We hear so many negative stories but rarely do we get positivity. We have memes of cute cats and puppies and things like that, but if they didn't exist, people would be a lot more unhappy. We need more things like that.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
One of the great things about Parkinson's, in a superficial way, is it relieved me of vanity. I don't worry about what I look like, because it's literally out of my hands. But on a deeper level, it gives you a real humility, because you have to deal every day with the fact that you compromise.
The funny thing about 'Take Shelter' is that a lot of people talk about how it was allegory for the economy and things that were to happen. And that was so on the nose in the movie for me. I was like, 'That's obvious.' It's the other stuff about marriage and commitment and those other things that I spent the most time thinking about.
We never deal with propaganda. We never deal with politics. We never deal with newspaper headlines. We deal with the harsh realities of our lives. We will only comment when there is more bread to eat, more space in which to move, time in which to open your mouth and sing. As long as these things have not happened, we do not talk about politics.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
There's a great deal of suspicion and misunderstanding about IT among practicing doctors. One hears things like, 'I don't want to be turned into a data entry clerk, and I don't want some machine between me and my patients.'
No, one of the great things about my three-year deal is that it's year-round. They've offered me an opportunity to cover a lot of things in the offseason, too.
I think we need to be put back in touch with our childhood...to be reminded of what's important, like memories about people we loved, or things that happened to us that affected our lives, things we can laugh about and shed a few tears about... I think storytelling is a way of saying 'I love you. I love you enough to tell you something that means a great deal to me.'
I relax by looking at things and reading about things. Even the simplest thing can reveal a great deal about the world around us. It relaxes me greatly to sit back with my feet up and look around my study at the everyday things that surround me.
I was on Batman with "Superheavy" or "Zero Year" where there was a lot of fun and bombast, but it was also personal. [In All-Star], I wanted to take that to its complete extreme, like the end of the Earth extreme, where it's over-the-top humorous, yet at the same time really deeply about what I think is of this particular moment in time, at least for me. The things I'm terrified of and the things I'm hopeful about. My life is the page.
I've lived a long time, and a lot of things shut down. Painting is one of them. It never occurred to me that I wanted to go back. The world, in a pathetic way, doesn't want me to be an artist; they want me to be in the kitchen, which I just can't do.
I am curious about many things, and find the world around me, and the people and objects and things in it, equally fascinating. There is a great deal of that awe and wonder in me.
If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.
Painting from life was incredibly important for me because it allowed me to train my eyes to see everything that is there. But I realized early on that painting from life wasn't something that I was all that invested in. I was always more interested in the painting than I was the people. For me, removing that as a compulsion offered me a lot more freedom to actually paint and think about color, form, movement, and light.
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