A Quote by E. L. Doctorow

I like commas. I detest semi-colons — I don’t think they belong in a story. And I gave up quotation marks long ago. I found I didn’t need them, they were fly-specks on the page.
I like commas. I detest semi-colons - I don't think they belong in a story. And I gave up quotation marks long ago. I found I didn't need them, they were fly-specks on the page.
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
Next to the semi-colon, quotation marks seem to be the chief butts of reformatory ardor.
What I had thought were signs of a broken educational system - the seemingly random placement of commas, the spastic syntax, the obnoxious overuse of quotation marks, the goofy misspelling of 'Jouralism' - were actually signs of the New Instantaneousness. 'Instant Jouralists' cannot be concerned with punctuation and grammar and spelling. That stuff just 'slows you down.' To be an 'Instant Jouralist,' you have to write as if you were being pursued by a cheetah across the Serengeti.
The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself.
I don't like the way question marks look. They're really ugly. They look like blots. At some other point in my life, I might have disliked them because I never knew how to properly apply them. Also commas, and whether they were outside the quote or inside the quote - that all seemed like an unnecessary pain in the ass.
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
I've always hated quotation marks: they're ugly on the page and they classify the text for you, putting dialogue in one box and narration in another.
every story written is marks upon a page The same marks, repeated, only differently arranged
I am gennerally understood tho I do not use that awkward squad of pointings called commas colons semicolons etc.
If we do away with semi-colons, parentheses and much else, we will lose all music, nuance and subtlety in communication - and end up shouting at one another in block capitals.
Because, if one is writing novels today, concentrating on the beauty of the prose is right up there with concentrating on your semi-colons, for wasted effort.
I took ethics classes in college, and it always amazes me how they [tabloids] will blatantly say something that I did not say, in quotation marks. The first thing that we learned in ethics is that you better have it right. If you're putting quotation marks around something, it better be exactly what that person said.
Semi-colons only prove that the author has been to college.
You do not need to belong to the cat for a long time to realize the main thing that cats like to do is to wrap theirselves up in mystery, perhaps only except for a hobby of jumbling up everything that is in order. And if the cat can, and usually so, make a great mystery of where it was when you were searching for it even if a moment ago it was sitting by your side, do not have any doubts: its ancestors had a great pleasure to surround its origin by mystery.
I know that the Bible is a special kind of book, but I find it as seductive as any other. If I am not careful, I can begin to mistake the words on the page for the realities they describe. I can begin to love the dried ink marks on the page more than I love the encounters that gave rise to them.
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